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Spud wrote:The judge in the My Sweet Lord / She's So Fine case eventually found that there were a grand total of $2,152,028.00 (US) gross royalties made by Harrison on the song. Many regard this number to be inflated, and that the real number is well under a million.
How could it be that "Down Under" generated enough royalties to justify a 40-60 million dollar settlement?

frankie big face wrote: I wouldn't be surprised if it was an intentional quotation, actually--isn't the flute player sitting in a tree in the video when he plays it? AN OLD GUM TREE PERHAPS? .
Billy's Little Trip wrote:Another thing. It's not helping Men At Work in this case that the guy playing the flute in their music video just so happens to be sitting on a branch in an old tree whilst playing said plagiarized bit about sitting on the branch of an old tree. If it turns out the said tree he is sitting in is a GUM tree, they're going to need some serious damage control.![]()

Billy's Little Trip wrote:fluffy wrote:Just because your dad wrote a hit song doesn't mean you deserve to keep living off of its profits 50 years later.
I have to disagree with this. If people still like the song and are willing to pay for it, I say they should get the inherited rights to it. Especially if it was left to them in a will.
frankie big face wrote:If anything, the little (3-second?) flute lick is a quotation from the song, but it's such an insignificant part of the whole song that a plagiarism charge seems like a huge stretch. I wouldn't be surprised if it was an intentional quotation, actually--isn't the flute player sitting in a tree in the video when he plays it? AN OLD GUM TREE PERHAPS? But anyway, the Byrds quoted Coltrane in Eight Miles High--that kind of cribbing is almost never disputed. Wait until the Stravinsky people come after JB for that song whose I title I can't remember, but HE KNOWS.
Billy's Little Trip wrote:roymond wrote:I associate the version of Kookaburra with flute...
why?

fluffy wrote:Billy's Little Trip wrote:fluffy wrote:Just because your dad wrote a hit song doesn't mean you deserve to keep living off of its profits 50 years later.
I have to disagree with this. If people still like the song and are willing to pay for it, I say they should get the inherited rights to it. Especially if it was left to them in a will.
Having exclusive rights to a single musical riff or lyrical idea prevents those from being used in other works, and creativity suffers as a result, especially when you try to exert rights over things that are merely "similar." Imagine how bereft of music the world would be if the more common chord progressions all had their copyrights enforced by whoever first put them into a song.

roymond wrote:Billy's Little Trip wrote:roymond wrote:I associate the version of Kookaburra with flute...
why?
Why you...

Billy's Little Trip wrote:nice emoticon fail.


roymond wrote:OHHHHH!!!
Generic wrote:Two-Part Invention No.4 ... at the end of "All You Need Is Love?"
Generic wrote:I mean, should Bach have sued The Beatles for using parts of Two-Part Invention No.4 " at the end of "All You Need Is Love?"

HeuristicsInc wrote:Generic wrote:Two-Part Invention No.4 ... at the end of "All You Need Is Love?"
hey, thanks, every time i hear that song i think i should try to figure out what that is and i always forget
-bill
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