Holy crap, I drop out for a couple of days and boom, I'm actually engaged in conversations
Too funny!
j$: first read thought it was a direct address, yeah, second read saw it wasn't. Replied in the same all-encompassing generic "we". No worries.
tviyh: man, that's some weird quoting structure you used (the irc-ish "<>"s). Still, it did send me through the forums in search of a topic titled... ahem, yeah
c hack wrote:Read 'em. I agree. Troll Bridge and Murder Mysteries are some of the best short stories ever (well, in fantasy at least -- he's no Hemingway or Carver).
Get thee to *any* Richard Matheson collection, at your earliest leisure.
And on
American Gods, they're worlds apart in almost every way.
Neverwhere reads like something he dug out of his "old unpublished works drawer" to fulfill the final obligations on a publishing contract, in my uninformed opinion.
AG, well, damn. Track down a mass-market paperback edition in a used book store. Pick it up. Has the same sort of flavor as King's/Straub's
The Talisman from a 13 year-old's reading perspective. Only denser, more... researched. More... crap, it's hard to recommend a book and describe it without letting on
anything about it. Instead of completely made up things (the wolfs, the tie-in with King's gunslinger/dark tower storyline) you've got a whole mess of existing (in man's ever-growing pantheon, I mean) gods walking and talking in and out of the narrative.
Damned hard-ons. I'm the goof swinging from the rafters this time, only I'm shouting "Buy it! No, I won't tell you about it! Truuuuuuussssssst meeeeeeee!" Like with all real spoilers, if I tell you anything, I give you the key to everything. There is beauty, there is horror, joy and grief in it. It's one of those books where you stop seeing the words. Or, to be more honest, I stopped seeing the words.