Guest: I love the way this bounces all over the place, loads of energy, genre clashing yet really clean and extremely well mixed, the baby noises are acutely spooky, the only thing I don't like is your avatar
EIGHT out of TEN
Super Steve: Good idea that gets very annoying after a short while, if this stopped around 1:25 then it could be passed off as an end of CD bonus track et al Blink 182... program some drums, replace the doo doo ka's with some oooh wheee's and its a load better.
FIVE out of TEN
Stims: A nice story lyric, gentle melody and those shakers are a timely interruption, there is something about the refrain that nags at me as something i've heard before, but all round nice and smooth, good job.
SIX AND A HALF out of TEN
30 Hour Drunk: Very similar in style to the Stims (see above), but lacking most of what made that track cool, the high vocal really grates and this is crying out for some variation to help carry the story.
FIVE out of TEN
Daddy Bop: This sounds like Those Meddling Kids let loose with a brand new copy of reason 3.0, excellent use of effects, i could really learn a lot from you... (I'm not refuting your instrumental skills by the way

)
SEVEN out of TEN
Paco Del Sinko: I strongly considered the whole eating babies take myself, but reckoned it would sound far too cartoonish if i went that way, but you guys nailed it.... again!! maybe a little too throwaway to be a real long term contender, and maybe not your best, but still very accessable, jogs along quite happily with itself.
SEVEN out of TEN
Breadbox: I'm loving the toy piano, and I can't really say much else because it just basically repeats, but in this case not in an annoying way, simple and oh so effective.
SIX AND A HALF out of TEN
Less Than Three: Quite a humourous lyric, with everso slightly off-key delivery makes this a potent and potential goofball hit. good job.
SEVEN out of TEN
Special Relatives: Easier and less chaotic than previous entries, but I still reckon the lead vocal should assert itself more, the Banjo (?) tends to dominate, maybe throw in a gentle hi-hat as well... good but not outstanding.
SIX out of TEN
J-Train: Cure/Banshees intro goes into eighties electro-pop, good use of instrumental effects and the female vox is way cool, this has a generally cool vibe but i just wish that intro had led somewhere else.
SIX AND A HALF out of TEN
NINE out of TEN for the intro
Man and Funk: Deep voice has a lovely flow (can I say lovely when describing Rap??) alt vox drops in and out almost perfectly, the deep growly bass-line is excellent and understated, and the vocal duelling is a welcome change... crap outro though!
SEVEN out of Ten
Winters Apart: Very mournful, nice piano keys (atmospheric al la The Exorcist) the female voice on this is simply beautiful, this could be almost perfect, maybe when the voices come together they are a touch off, but that is rather picky, a very beautiful tune.
SEVEN AND A HALF out of TEN