Andre Was Here at Midnight: I can't really constructively review this, because I don't think you're actually shooting for anything above mediocrity. Congratulations.
Deshead: I can't really constructively review thies, either, but only because it's practically flawless. I will ask how you got that acoustic guitar tone. Mine sucks. Oh, and I will say that your snare is basically inaudible in all part except the 'nothing wrong being pushed around' part. Also, while the solo is really neat, some variation would be cool. The pick sweep percussion is a super cool touch. Good stuff.
Dopant: Too much hat. Well, there are a lot of basic mix problems. The chorus is really lame. Write for your register - that means, if you can't sing high notes well, don't write songs that have lots of high notes. I'm guilty of this as well. This is a negative review, but overall it ain't that bad. Pack it up and carry on.
Luke Henley: If yoy knew a damn thing about mixing, this might have been hip in a Jello Biafra kind of way. Except Jello isn't all that hip anymore. This is god awful.
Marty Conlon Quartet: Guitar tone is awful, vocals are way too low, shitty drum machine beat with no variation. Did you listen to this before you emailed it off? Jesus Christ.
Max the Cat: I think the beat could have been more gangsta, to accent the ridiculousness of the track. The hook doesn't really have anything. Your voice sounds like a text-to-speech. If MC Hawking were ever to attempt a live performance, you'd have to be the guy to do it. If it weren't for your voice, this track would be a miserable failure. It's neat.
Points for Trying: Flange doesn't hide an average vocal performance. Yelling does, though. The drums are quite buried (except the hat, when it comes in), and the bass is sticking out. Needs work.
Robot Tarzan: My question is this: Did you even make the track that was reversed? My guess is no. This is fucking stupid.
The Sober Irishman (ME): I started this late Sunday night, and spent about 6 hours on it. New techniques in practice. Specifically, stacking parts. On the last repeat, there are four guitars and two banjos playing the same line. The bend in the second part of the reel thing was a fluke in an early take, and I liked it so much that I redid everything with the bend in there. The hardest thing about this track would be... getting the first instrument down on each speed. After that, each speed was cake. I had fun with this. I'd like to do more things like this.
Songfight Orchestra: Dear God, it's Erik with STUFF! Whoever did the backing, they did an excellent job. If The Misfits, Queen, and Guns n' Roses had an orgy, the outcome would be this. Too short. :'(
Special Relatives: This is dumb. You also cannot mix. At least your fuckaroudn track is shorter than the other guy's.
Titans of Elektoclash: The eq of your backing track is shaped like this:
/ And that's not good. This gets a big fat 'meh' from me.
Stateshirtbackwards: Sound quite a bit like CKY. Man, CKY rocks. You listen to them? They rock. This is really well done. I'll bet you have lots of intercourse.
Ok, I like
Deshead, SFO, and SS(BW). Well, I like
myself, too, but yeah. This fight, it is average. I think Erik's entry would have been a no-brainer winner if it were longer. Instead, it leaves me empty, like a mother who has lost her only son.
