Some drive-through reviews, since I'm about to be eliminated from Nur Ein. I need something to do, afterall. What a huge fight.
Overall, you should all be ashamed. Garage Band has ruined Song Fight as we know it. Nah, just kidding.
BSS - How'd you have time to... oh because you have more than one person. Not fond of this singer, and the guitar riffage is a little boring. Ok, later listens has revealed this to be pretty nice.
BLT - Guitar tone's getting there... Guitar riff is kickass. The mixing is a little harsh. The keyboard is interesting but could be a little more sparse - it's kind of distracting.
Paul Weichel - Instrumental... pretty interesting, but it's titled "Bunny" so it's probably not "Bag of Bones". Doesn't sound like "Bag of Bones".
Daring Front - I /know/ you have better drums than this, so you must have purposefully picked these. Synth accompaniment is good. You know you have a great voice and probably belong on Glee. Chorus is doing nothing for me.
Barton Lewis - Ah you are a campy funny little guy. The recording quality is pretty much on par with some White Stripes, which isn't all that bad at all. Capture the atmosphere pretty well actually.
EGG - I think you were inspired by Alice in Chains' "Them Bones". The mixing has a long way to go, the vocals are nice (if a little repetitive), and the drums are quietly disinteresting. Slow and slithers along, I think you can do better with that talent!
Equals X - Aww man a nerd rapper. I just can't get into white boy rap. Some of the synthing is pretty good.
Fitzroy - Hey some live drums. Live everything? Not bad. I don't like screaming, but you're screaming on key so... not too bad. A little jammy, but not bad at all.
Frolicking Swamp Sparkles - What kind of name is that? Nice voice. Boring accompaniment. The keyboard makes it a little more interesting, but it all feels kind of thrown together. Those drums at 1:20 don't match all that well, but they're more interesting. If you could keep time this would be 100% better. 4 minutes of this is too long, sorry.
Hey Its Romer - You have my attention, sir. I love this. This is fucking kickass techno. I don't know how hard you actually worked at this... but it is quite good. I wish it went some more places, and I am not fond of the clap sample, but it's still good.
Hoglen & Wages - Some things never changes. It's decently listenable, but in 10 minutes I probably won't be able to tell the difference between 10 other Wages songs.
Jast - Is that a filter or are you singing with marbles in your mouth?
This screams Depechemode. The drums could be less synthy/spastic and more relaxed, driving. The drums are the biggest problem I have, because you've got some inspired programming in them but you're hiding them in the mix and they're kind of crappy samples. Overall that's the feeling I get from the whole song: self-conscious spazzing. Relax a little and ride in like a pimp! The bridge break down is my favorite part.
Jonathan Mann - IM BORED - START THE SONG. Ok, this is pretty interesting. The percussion has hooked me. And the rest isn't bad, either. The chorus is kind of... really? You're going to repeat this awkward title like that? Ah well, it doesn't drive me away. Short and sweet. Nice job. Is Nick the girl, cause he sounds pretty hot?
Jon Eric - Is this Unholy Alliance? JUST KIDDING. If hitting the wrong piano notes is on purpose, I dig that. If it's more of a lazy thing, I don't dig that. I think you should try singing this an ocatave lower, or even doubling it an octave lower - let the lower vocal carry it, since you're straining a lot here, and let the high vocal just augment. The horn is pretty cool. Also try switching up your standard drum beat.
King Arthur - Kudos for the swing and cool riffage. Vocals are pretty good, but that last 10% is key to pulling this off.
Brooke - So we meet again. You sound cute. Good job with the creative, simplistic percussion. The verse is kind of... plodding. The chorus is much more interesting and when you hold out your voice, it's so nice. You'd gain a lot by doing this in stereo and double tracking some stuff.
Mantzfield - There is a lot of off key singing and poor synthetic drumming here. I hear a lot of potential, particularly when the chorus comes. Alright, this death metal is not my thing, but it's kind of funny how you did that. Nice guitar triplets. Ok, I've lost interest at this point. Goodbye!
Night Elf Mohawk - Wrong competition. The no instruments rule was over at Nur Ein round 6. Good god, I can hear you're trying to be kind of funny, but I can't tolerate much more. What just happened. I don't even. You get the WTFLOL award.
Noah - The chord progression is kind of cliche (lol when don't I say that to you?) - mostly because I have to listen to it between your sparse vocal lines. Try changing up your vocal melody strategy for something different. The fake drum programming has gotten a ton better than I remember.
Barton Lewis - WHY DO YOU HAVE TWO SONGS? I liked the first one better, but this is quaint and jokey too.
Toshiro - David Bowie has graced us with his presence. We could be heroes!! Just for one day!! Nice bass work. I like the chorus. Everything feels familiar, yet distinct. Your vocals and mixing could use a little work and I'd perhaps double track the chorus. I can do without the yelling, but I can respect it as well.
Young Stroke - Yes, Huckleberry is back laying a phat track for us! I may joke, but I like your accent rapping - I think it adds a certain distinction. You do a good job building atmosphere and making the listener want to dance. The verse flow leaves a bit to be desired, and I think you may have tried a little too hard with the chorus - if you lay it back a little more, like a rapper, instead of a Euro dance track, it would be more enjoyable IMO. The production is pretty good - could use some more layering during the verse, maybe a little eq or verb or somesuch.
...seriously, your reviews made me laught. A lot. 
*canned audience laughter*
