Sort of... an iPhone 3GS and an iPhone 4.glennny wrote:Long Fellow- Thanks man! I imagine your song this week would make a mighty fun video! Do you have a camera?
Ok, gotta do something like this, it just looks like too much fun.
Sort of... an iPhone 3GS and an iPhone 4.glennny wrote:Long Fellow- Thanks man! I imagine your song this week would make a mighty fun video! Do you have a camera?
Camera- Sony HD 60GB hard drive: I will NEVER use a camera with a secondary media ever again. Too many tapes eaten, discs scratched etc. I've been using this camera to make our BSS videos, chronicle Song Fight Live events, Carpet Burn and Balance Lost shows..... Just get HD (hard not to these days) and go hard drive.Sort of... an iPhone 3GS and an iPhone 4. Got plenty of mic clamps that would hold them if I wanted to get all tripod-standy. What camera did y'all use? What video editing software? Would you describe how you went about it? It looked like it was pretty laid back and fun to do. Where's your jam space? Is that one of the new Rhodes? If so I'm more than a bit jealous Yay glowing blue eBow LED!
It just occurred to me that you've already sang a love song to my wife... http://www.songfight.org/artistpage.php ... ittle+TripBilly's Little Trip wrote:Will you marry me? Just tell your wife you decided to try polygamy.roymond wrote: Billy & The Psychotics
After a deceptive start, this fast becomes a monster, hook-ridden foot thumper that is now etched upon my inner ear. This is just too much fabulousness for one song and every time I listen to it I get more bang for the buck. Dynamic, thunderous, awesome fucking girl vocals (!!!) and insane bass lines that cement the hooks in all the right ways. I love that progression during the bridge...very subtle. The lyrics are wonderfully teasing.
That makes total sense. I dig what Pomplamoose does, their "If you see it, you hear it, and if you hear it, you'll see it somewhere in the video" ethos.It's best if you get the camera rolling while you're recording
It is pretty impressive to see him do it too.longfellowstreet wrote:Two at a time, mwahaha that's pretty gnarly.
Thanks Glenn, that means a lot coming from you. Dee is a great singer and so pro to work with. Our Psychotics project has been a lot of fun and we work together so easily. Although not on this song, Paco is part of a lot of the BATP songs.GlennCase wrote:Billy & the Psychotics: Your submission is freaking awesome!
I sucked on it but enjoyed it a lot. I said once that I'd really like to re-do this song and do it justice. It's such a great melody. Maybe I can talk Tweedle Dee and Chaz Stinko into a remake if you want to do a collab sometime.roymond wrote:It just occurred to me that you've already sang a love song to my wife... http://www.songfight.org/artistpage.php ... ittle+TripBilly's Little Trip wrote:Will you marry me? Just tell your wife you decided to try polygamy.roymond wrote: Billy & The Psychotics
After a deceptive start, this fast becomes a monster, hook-ridden foot thumper that is now etched upon my inner ear. This is just too much fabulousness for one song and every time I listen to it I get more bang for the buck. Dynamic, thunderous, awesome fucking girl vocals (!!!) and insane bass lines that cement the hooks in all the right ways. I love that progression during the bridge...very subtle. The lyrics are wonderfully teasing.
You know, I honestly didn't know there was a place to post lyrics! Apologies, will try to get that up there. The whispery part is intentionally backwards masked, because Ryan's lyrics were foul. He's a sarcastic sorta twisted bastage sometimes.Longfellow Street
Won’t comment on lyrics since you didn’t post them. I’m digging the groove and vocal style, not a common one here at the SF. Can’t tell what’s being said in the whispery part. Vote! Synthy freakout at the end is a nice touch.
We wanna be on the radio! Mallory got a kick out of the Ditty Bops reference.Longfellow Street
Loving the groove. Saw your band name and was like "Yay! The girl who sings like the Ditty Bops!" then you pull this jazzy funky thing out and I unhooked my headset and blared it, scaring the cat out of the room. I can picture babies being made to this, or due to this song. And the ending is cool. Ranking: Normal Play, Request Line
24-bar, yo!Playing a 12-bar is not song writing.
No fake instruments! That's my slightly out of tune Lester spinet piano, my Ibanez hollowbody, Ryan's Tele, Donna's other Ibanez hollowbody with crybaby wah, all through my Fender Blues Jr, a Korg Monotron, a metal kazoo, Irwin's sax (doubled, it's true, but that's editing, not sampling...), Ross playin' my Gretsch drum kit, I'm playing a jazz bass and the ukelele and a shaker in the last verse. Oh wait, shit, dammit, kick me in the head, there is a sample of a TR-808 kick in there. But only one sample, and it only hits three leetle times.What instruments are real, which are fake?
Thank you. Mallory's a great vocalist, and I looove playing with these guys. The bloops and the bleeps were so much fun to mess with... I bought the Monotron and it's been sitting around, adored but unrecorded, until this. Makes me very happy to get it out and do analog synth magic/madness with it. People keep coming back to the guitar tone, here and in the Real World... it's that Blues Jr, man. 15 watt tube amp, 12" speaker, an SM57 up on the cloth and someone with good guitar technique, crank the gain just enough to push the tubes just a bit... it's a magical combination.All that said, this is awesome. The song is too long, but the singing is stellar! That female vocalist is awesome! The production is incredible! What instruments are real, which are fake? You guys are great players! I love all the bloops and bleeps too. The guitar tone is great too.
glenny wrote: Oh I miss that Casio! This is clearly J$, who else is in the band? I really like the riffs! This would be a fun angular groove to get Frippy over. I like how short and sweet this is, but I think the ending could have been written a little stronger, the stop is effective, but a little bit of a let down. I love these quirky little tunes in my i-phone playlist. This is a keeper. Not sure about the vote in such a strong fight. Still considering it. Would normally vote for this.
Two minor points: the bass instrument is a cello, and in fact the song is played with a click. I wonder what made you think otherwise?glennny wrote: Jon Eric
This is beautiful. The subtle double bass is a great touch, or is it cello? Anyway, I love the piano playing. This is clearly not played with a click, and I think that’s to its merit. The dynamics are great. I don’t like the “forget ‘er”- “…better”, ..”wetter” rhyme. This is a really strong song. I have to say, this deserves a vote. It says a lot in a short amount of time and doesn’t overstay its welcome. Bravo! Vote.
I only had two hours...that's my excuse. I like this more and more as it ages, though, so I think it will be getting some additional attention at some point. The vocal tracks are literally first and second takes, so no wonder it's a little loose. All the words/phrases are from Twitter, a resource I use when I need quick inspiration, but nothing revolutionary. Happy to use the mandolin i bought in Mexico years ago. All effects are from Logic. I don't use pedals, for better or worse. I'm glad you like the 6/7/5 meters...glennny wrote: Oh man! This is soooo Crimson! Is that a zoom pedal effect I detect? The weakest link in the vocals. They are alright, but sometimes feel a bit unsure. It's a timing thing, all the instruments are so tight and complicated, then the vocals sound like they needed another take in parts. I like your voice and delivery, I just think another take may have been in order. These riffs are so delicious and inventive, and full of good vitamins, tri-tones, and fun time sigs. This has been my most listened to track from this fight. Yes you get a vote, it's not flawless, but the good parts are so very good. I love it!
Yeah, I always forget how low a cello can go.Two minor points: the bass instrument is a cello, and in fact the song is played with a click. I wonder what made you think otherwise?