greetings and congratulations.
in my first chorus, I repeated my chorus melody exactly - starting from its entrance on the second bar (or, 2nd half of a long phrase). I wanted to make sure I got the Swingy see-saw back and forth motion of the switching from antecedent to consequent of the phrase...but may have done the task too well by using language too similar in both the A bits of the chorus. It sounds as though the same thing is happening twice, really. I wanted to avoid lyrical confusion, as Lunkhead had said in the last round something about me using a lot of lyrics and he's right; often Chris wishes I'd write simple hooky choruses in Psychotics rather than my novelettes.
![Smile :)](./images/smilies/icon_e_smile.gif)
![Smile :)](./images/smilies/icon_e_smile.gif)
Anyway, In other places in this tune; there are small variations on the idea of a round and incomplete statements of such; as well as some things in the verses which nod at the concept of motivic restatement in various compositional form (tho in other form, admittedly, not just in round!). This may make it sound like I'm taking other half ass stabs at it, especially if the first whole statement didn't stick.
I really did want to make sure I row-row boated at least one bit to provide Thouroughness, however. So it was done with intention as I have learned and understood it.
![Smile :)](./images/smilies/icon_e_smile.gif)