I don't understand why TMBG is being so easily lumped into the novelty category.mkilly wrote:Have I mentioned this? I Just Don't Get the hype around They Might Be Giants. Now I went and saw them in 2002, I think it must've been, and they put on a rockin' live show. I really liked the show. But I am not impressed by their music.. I mean so much of it is just novelty, and I just can't get past that. I guess that sincere can be bad, too, or worse--They Might Be Giants is fun to listen to, but I'm not so hip on, say, Matchbox Twenty, to not even evoke so many cookiecutter emo bands or, worse, Papa Roach and whatever. But TMBG has so many albums, and I don't know why people (nerds especially) love them so much. JB once said, and I'm inclined to agree, that they're for folks that are too cool for Weird Al but not cool enough for Ween. Basically.
edit: Lemme point out that I don't understand adulation about TMBG. It's notable (cf. other adulations about things that I don't find adulationworthy) because they have a big ol' fanbase, and their music is largely (invariably?) novelty or not far from. Even Tori Amos fans I can understand, though I'm not personally huge on her, but TMBG? Beck's lyrics don't make any sense but I declare them better than TMBG's, pound for pound.
Same with: Tiny Tim, Tom Lehrer, the Bonzo Dog Band, the Singing Dogs.
The only similarity between Ween, TMBG, and Weird Al is that they include humor in their music.
I have to admit that the last three TMBG albums are kind of unlistenable, but their first two and Apollo 18 are pretty genius. Same with Linnell's State Songs.
