Auto-tuning conversation number 157
- Jim of Seattle
- Niemöller
- Posts: 1361
- Joined: Sat Sep 25, 2004 11:33 am
- Instruments: Keyboards
- Recording Method: Cakewalk, EastWest Play, Adobe Audition, Windows
- Submitting as: Jim of Seattle, Ants (Invisible), Madi Singer/Songwriter, Restless Events
- Contact:
Auto-tuning conversation number 157
I've subscribed to my free week of Napster here at work, and I've been listening to the Billboard Hot 100, and I'm completely aghast at the rampant and obvious over-use of pitch-corrected vocals. It's horrifying. I had no idea it was that bad. I cringe at thinking kids hearing this stuff think that that's those people's natural voices.
Just had to rant for a second. And now that Antares has an auto-tuner that can be used in live performance, it's even worse.
Just had to rant for a second. And now that Antares has an auto-tuner that can be used in live performance, it's even worse.
Here's my record label page thingie with stuff about me if you are so interested: https://greenmonkeyrecords.com/jim-of-seattle/
- roymond
- Ibárruri
- Posts: 5263
- Joined: Sat Sep 25, 2004 3:42 pm
- Instruments: Guitars, Bass, Vocals, Logic
- Recording Method: Logic X, MacBookPro, Focusrite Scarlett 2i2
- Submitting as: roymond, Dangerous Croutons, Intentionally Left Bank, Moody Vermin, The Reverend
- Pronouns: he/him
- Location: brooklyn
- Contact:
If only the Dead had used it...
<ducking>
<ducking>
roymond.com | songfights | covers
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
-
WeaselSlayer
- Niemöller
- Posts: 1592
- Joined: Tue Dec 14, 2004 5:13 pm
- Instruments: Guitar, keyboard
- Recording Method: Garageband, laptop mic
- Submitting as: Luke Henley
- Location: Tucson, AZ
- Contact:
-
HeuristicsInc
- Ibárruri
- Posts: 5351
- Joined: Sat Sep 25, 2004 6:14 pm
- Instruments: Synths
- Recording Method: Windows computer, Acid, Synths etc.
- Submitting as: Heuristics Inc. (duh) + collabs
- Pronouns: he/him
- Location: Maryland USA
- Contact:
Do you mean pitch-correction a la Cher, where it's on purpose and used as an effect, or badly-done p-c a la "trying to fix my crappy vocals and you can tell"?
-bill
-bill
152612141617123326211316121416172329292119162316331829382412351416132117152332252921
http://heuristicsinc.com
Liner Notes
SF Lyric Ideas
http://heuristicsinc.com
Liner Notes
SF Lyric Ideas
-
WeaselSlayer
- Niemöller
- Posts: 1592
- Joined: Tue Dec 14, 2004 5:13 pm
- Instruments: Guitar, keyboard
- Recording Method: Garageband, laptop mic
- Submitting as: Luke Henley
- Location: Tucson, AZ
- Contact:
- Jim of Seattle
- Niemöller
- Posts: 1361
- Joined: Sat Sep 25, 2004 11:33 am
- Instruments: Keyboards
- Recording Method: Cakewalk, EastWest Play, Adobe Audition, Windows
- Submitting as: Jim of Seattle, Ants (Invisible), Madi Singer/Songwriter, Restless Events
- Contact:
I mean the latter - overdone p-c that we aren't supposed to notice, but that the discerning listener can hear.HeuristicsInc wrote:Do you mean pitch-correction a la Cher, where it's on purpose and used as an effect, or badly-done p-c a la "trying to fix my crappy vocals and you can tell"?
-bill
1) It's easiest to catch it between pitches - the transition from one pitch to the next sounds unnatural.
2) This is less obvious: the very timbre of the vocal is very slightly mechanical, almost metallic.
3) The vocals have less gradation of pitches than one usually hears in natural performances, where people slide on and off pitch for effect
4) Sometimes it's just plain old too good. When they are singing some melodic passages and every last damn note is Right On Pitch I get very suspicious. Not that people sing off pitch in perofessional recordings, but it's just SO accurate. That A is actually at 440. And listen to backup singers. They sound like robots.
Here's my record label page thingie with stuff about me if you are so interested: https://greenmonkeyrecords.com/jim-of-seattle/
-
WeaselSlayer
- Niemöller
- Posts: 1592
- Joined: Tue Dec 14, 2004 5:13 pm
- Instruments: Guitar, keyboard
- Recording Method: Garageband, laptop mic
- Submitting as: Luke Henley
- Location: Tucson, AZ
- Contact:
- Jim of Seattle
- Niemöller
- Posts: 1361
- Joined: Sat Sep 25, 2004 11:33 am
- Instruments: Keyboards
- Recording Method: Cakewalk, EastWest Play, Adobe Audition, Windows
- Submitting as: Jim of Seattle, Ants (Invisible), Madi Singer/Songwriter, Restless Events
- Contact:
Yes, sometimes. But the fact that it is harder and harder to tell scares me. Check out Symphonic Choirs by East/West. It sets you back a grand, but those demos are impressive indeed.WeaselSlayer wrote:(They are robots...)
Here's my record label page thingie with stuff about me if you are so interested: https://greenmonkeyrecords.com/jim-of-seattle/
-
boltoph
- Orwell
- Posts: 775
- Joined: Mon Jan 03, 2005 9:21 am
- Submitting as: Gert
- Location: Boston, MA
- Contact:
So right. I hate pitch correction too. You can really tell it's there sometimes if you listen to a song with it, on a small boombox that only puts out midrange. Seems to be in every punk-pop tune nowadays.Jim of Seattle wrote:I mean the latter - overdone p-c that we aren't supposed to notice, but that the discerning listener can hear.HeuristicsInc wrote:Do you mean pitch-correction a la Cher, where it's on purpose and used as an effect, or badly-done p-c a la "trying to fix my crappy vocals and you can tell"?
-bill
1) It's easiest to catch it between pitches - the transition from one pitch to the next sounds unnatural.
2) This is less obvious: the very timbre of the vocal is very slightly mechanical, almost metallic.
3) The vocals have less gradation of pitches than one usually hears in natural performances, where people slide on and off pitch for effect
...but...
2 yrs ago, a friend of mine who can't really sing, wrote a song for his wife and really wanted to record it and give it to her as a wedding present. Autotune made it happen, because he consistently hit 1/4 note flat or sharp on a note. The couple of places where you can tell it's there, were insignificant compared to the final result and the emotional impact it made of having him sing it to her on a nicely produced CD. I redid all the guitars and added backups ... when I play both versions, I begin to appreciate it a little. But only because of the situation. It kinda saved the day for us, producing his song. It was a big ordeal for me at the time, because I wasn't computer recording. I had to "mix down" from a digital AKAI machine, to my 64MB RAM PC, and isolate the vocal.
This isn't playing devil's advocate in anyway cause vocal pitch correction for "professional" singers is just ridiculous.. But if you have a friend that can't really hit notes but has to be on a recording, singing, Autotune may help you out. I highly recommend not using the vibrato simulation thing. It's so silly.