This week, I'm only saying nice stuff and leaving out the nitpicking. I mean, christ, you all wrote and recorded a song in, like, five days! Be proud!!
15-16 Puzzle - Awww.....you turned your song into a Mother's Day card! That's sweet. Nice job, brola.
Adam Adamant - I like the spare instrumentation and the bouncy chorus. Catchy, and not like this nasty cold I now have.
ADD - another bouncy piano, but tempered with some sweet guitar and nice fake cello. You are a master of layering simple parts on top of each other to create a nice open-air pop arrangement. It's like that really nice salad I get at Cosi. Every bite has something different. And good stuff too, like pistachios, dried cherries, pears and gorgonzola. Good song too.
Reist - So you play all these instruments, right? That's pretty awesome. Those guitar have that late-period Alex Lifeson sound to them. Just try not to get up on stage in a Florida bar, okay? That never ends well. Anyway, I'm impressed by your musicianship and you have some impressive wailing going on in the vocal track this week.
BLT - Come together right now!

Ooh, I like that change from the verse to the chorus. Total change in feel, but you held the tempo right in check. I'm so terrible at writing riffs and you've got two really good ones right here in a single song!
BK - Every time I write your initials, I think a Whopper. This song reminds me of Steve Earle a bit. I love the organ in the background--that's a great touch. I always enjoy your guitar playing. I know it's not as easy as you make it sound.
Cock - This is so stark and cold and sterile. Nice atmosphere. I especially like the synth bassoon at the end.
FBF - That's me, deconstructing Mahler's 8th Symphony for my own gain. Shameful, really. It's a tad slower than I'd like it to be and there are about a dozen things I'd like to have fixed, but I either didn't have the skill or the time. But there are parts I like too, like the crazy dissonant (near-)crescendo at the end. By the way, if you're interested in the original Mahler, it's available on iTunes here:
http://phobos.apple.com/WebObjects/MZSt ... 4&s=143441 (Track 7 - Album Only, I'm afraid)
Glenn and Rachael - Wow. I really like this song. The falsetto part is gorgeous and the progression coming out of that section is sweet. As with many of your songs, it reminds me of the best things about Todd Rundgren.
Jim Tyrell - Good idea, nicely executed. I would have enjoyed a nice Chuck Berry-ish guitar solo in the middle, but you know, Chuck Berry's hard to get a hold of on short notice.
JBB - Nice guitar lick. Uh oh, the cello has come out, the cello has come out--he is serious. This is old-skool JBB. You should have asked me about the M-Audio 1410(?)--I knew knew you wouldn't like it, though the driver issue is puzzling. The cello sound great on this track and your chorus vox are well-executed and mixed.
Ken - I love the synth arpeggios on the chorus. Good backing vox too. This has a nice Wallflowers vibe to it. Good crescendo, too. Ever-so-slight nitpick (sorry): A bridge would really make this tune.
King Arthur - Hey, that's a DEcrescendo! No fair! Great lyrics. And super-nice characteristic guitar licks. Great pop.
Lord of Oats - Why were you in the hospital again? No, I'm just kidding. This is obviously weird, but I can appreciate the experiment. Good kazoo and guitar solos.
MC Eric B - I like the sentiment of this song.
Octothorpe - True story? I hope so--that would be fun. Clever/cute lyrics.
Paco del Stinko - You misspelled shepherd (wait, that's nitpicking!) I like the arrangement--sounds like a children's song. Vocal delivery is perfect for the style. And the ending is very effective.
Ross Druand - Heh--verse reminds me of that Icicle Works song I liked so much as a kid. Catchy chorus with some clever lyrics. And a crescendo that would make U2 proud!
Sausage Boy - I like the energy of this track and the chord progression. And the ending with the crazy vox. I would call that more of a subito fortissimo, however. (Nitpicking!)
Starfinger - Funky! As always, interesting and ambitious vocal melodies. Nice collection of sounds.
Sven Mullet - "Tom Cruise is gaaaay. Sleepwalking!" Nah, I'm just kidding. I really enjoy your voice and it sounds great on this track. Nice sleep-still-in-your-eyes ambiance. Your chorus melody sounds exactly like this Vapors song I used to enjoy. "Don't leave me, don't leave me, Don't leave me now/I'll make it up to you somehow." I'm sure I'm the only person who knows the song--they weren't exactly popular.
Tex Beaumont - Good backing tracks! Fun!!
Worldy Self-Assurance - This is so different from your last track. I am intrigued. This is very chill and sleepy--nice concept. I like this one a lot.
Goodbye Hoblit and Embers of Autumn--we will miss you.