Bjam wrote:Reminds me of Great Big Sea
baronvonsmith wrote:reminds me a little of XTC
j$ wrote:Matthew Sweet!
Wild, thanks guys! All are flattering, and better than my brother's "sounds like Kim Mitchell" comment. I'm not
that Canadian.
Here's a more car-friendly mix:
http://www.deshead.com/Music/item.php/IMeantToRemember (And thanks to Boltoph for a second set of ears. Good call on the bongos, yo.)
Oh, and:
8LO wrote:This could be like Adult top 20.
j$ wrote:the heavy drums take any 'too nice' accusations
Just sayin'. 8)
Baron Von Smith:
Best part: the chorus harmony.
This is a great song. Well-arranged and performed. I'm pretty sure it has my vote. Some thoughts on the mix: There's one extra voice in the 2nd chorus that kinda jumps out. And the song is a little cluttered at the end (but that could be part of its charm too. It doesn't actually sound bad.) And does your drum machine have a humanize feature? Either way, great job overall.
Hope, Oath, and Suspicion:
Best part: The chorus, especially the way the last one comes in.
Great integration of the title. I like all the parts of this, but I think I'd like them more in a different mix. Things could be panned out more (the mix is weighted to the left.) The strummed guitar in the chorus drowns everything else out, especially the drums. They kick up for the chorus, but I can't hear them at all. I think there might be a bit too much reverb (or maybe it's just room sound) on the acoustic guitar. Meh, I'm probably being nitpicky. It's a good song.
The IRC All-Stars:
Best part: The chorus, natch.
Heh, such # lyrics. I like everything about this (other than the over-my-head references.) I'd like to hear the drums a bit louder, especially the kick drum. But it's entirely possible that it sounds exactly the way you all wanted it to, so .. yeah.
Kamakura:
Best part: "I meant to remember but I'll try to forget"
I'm impressed with the restraint you showed on the guitar. It would have been easy to over-strum this for added emphasis (but it wouldn't have worked.) The "couch potato" line jumped out at me the first time through, but it settled down on subsequent listens, so I think it's ok. And yes, the melody is definitely Pink Floyd-ey.
No Direction:
Best part: the unexpected transition from uke to band at 0:45
This sounds good, but I'm afraid I agree with j$: meta-lyrics turn me off. Lyrics notwithstanding, your singing is great as always. Here's what I'd do to the mix: trim a little high-end off the drums, add some more beef to the snare (a little boost around 200Hz or so.) And I'll bet you could push the overall level 10dB higher with a limiter.
Phunt Your Friends:
Best part: the morose trail-off at the end.
This is surprisingly coherent for a sonic experiment. But man, I didn't need the French class memories. <shudder>
The Sober Irishman:
Best part: the scream at 3:06, into the doubled guitar solo. Sweet.
I like the lyrics a lot. And the screaming. I'm kind-of ambivalent about the singing though. Not sure it works. I find the kick drum sounds whumpy, like it's all low frequency sound, and no attack. Also, is there bass guitar? It's hard to tell, so maybe it needs a boost somewhere from 200Hz-300Hz.
Steve Durand:
Best part: the trumpet & organ solo
I think this is the catchiest use of the title. It's definitely the only chorus that stuck in my head after the first time through the fight. Good song. I found the dissonant harmony a little distracting, though. And I think a shaker, or even a tambourine or 8th notes on the high hat, would have filled this out nicely.
Tragedy Rekindled:
Best part: the extro, I guess.
Gotta be Poor June, right? This could use stereo separation, and you need to back off a little on the guitar around 300Hz 'cause it muddies up the vocals.