Re: Take a walk down (Liberty Street prefight)
Posted: Tue Feb 04, 2020 4:19 am
New things for me:
- Heavily acoustic driven, at least in the first half. It's not that I never add acoustic guitar to anything, both Pocket Full Of Bones and the Dregs have them present, just not really as the main element leaving the song. But I didn't introduce another instrument other than the acoustic guitar until like 1:10 or thereabouts this time, so that's new.
- Tempo change. Never done a tempo change before, it switches from 114bpm to 135bpm about halfway through.
- Multitracking of the same instrumental track. I was trying to get the acoustic to sound a lot fuller, so I recorded it in stereo 10 times, overlaid all 10 of the tracks on top of each other in the song, and mixed each one slightly differently. Also each one has slightly different mic placement, and some of them I was strumming halfway up the neck and some way down near the bridge with different thicknesses of pick. Sort of gave it a bit of a dreamy sound. There are also 6 tambourines and the backing vocals are layered 3 times.
- Major key heavy rock in the back half. Well. Not technically major key, actually Lydian cause I still keep the flattened 7th. The first part of the song is sort of ambiguous major/minor cause I use so many suspended 2nds throughout, which isn't new for me.
- Drum brushes in the first half.
- New, for me, mic placement for the drums (on the floor kind of close to the kick drum underneath the snare). This made the cymbals less overpowering. And while it made the kick sound way too "thuddy" in the mix, I sort of got it to work through creative use of limiting.
- Can't say I've ever written a song this unabashedly sexual before, though Personal Space had that verse about my cat staring at us. Oops. At least it's mostly poetic about it.