Here's a question: I know there was some griping because the titles/concepts of some AAD songs came from before the day the song was thought of. I don't remember who, but someone entered an AAD song as a SongFight; obviously the title came before the song was written, but they claimed the idea to use a SF title came to them mid-AAD. This case walks a thin line: is it permissible?HeuristicsInc wrote:you shouldn't know the song titles/ideas that you will use beforehand.
To make a comparison: I could do an AAD this week (well, no I couldn't, but you know what I mean) and halfway through think of a song that fits "Les Anchois", therefore being written for both SF and the AAD. BUT, the title is obviously from before the AAD. I could also, in a void of creativity, write a song called "The Hobbit: There and Back Again" about the titular Tolkien novel. Undoubtedly thought of on the fly (I have no burning desire to someday record a song about Hobbits in two hours), but inspired by something from the preceding century. I have a hard time finding anything wrong with the second example, and I have a hard time seeing the difference between the two examples.
Anyone want to enlighten me? Could I write an AAD based on Junk mail subject lines (ala BradSucks et. al, or Heuristics) I receive while recording the album? How about the subject lines I've never seen that have been in my junk folder for weeks? How about the titles that I have seen (but haven't thought about) that have wormed their way into my inbox?
What this say to me is no musical ideas for any of the songs on your AAD. It seems that choosing a genre/goal for you album beforehand (ie: I'm going to make 24 songs in 24 hours, My AAD is going to be blues, I will adhere to a four piece arrangement) is OK, and choosing to use pre-existing titles (not lyrics, just titles) is potentially permissible.Crap Art wrote:No ideas from before the chosen day! This means covers or reinterpretations are not allowed.