For what it's worth: I was, if anything, a little surprised how often my opinions lined up with mo's, especially in the later rounds. He's the only judge I've never met and I hardly know a thing about the dude. That's how it goes, I guess.
Well, you're in Boston, I'm from Lexington. That's gotta mean something.
Here's what I wrote to the other judges when I submitted my votes(slight additions):
I thought this was an interesting experiment. Although the FBF entry's production values are surprisingly well below the other two and in my opinion, there a lot of things I don't necessarily agree with, I think it is the most successful long song of the bunch of them--i.e. It would suffer if cut down to 5 mins or 4 mins (although cut down to just over 6 would probably work). The song actually goes through a bit of a musical and emotional journey.
The Merisan song is gorgeous and haunting, with a very good choice of vocal arrangement and mixing. But honestly, it really gets monotonous. The song doesn't really develop and gain a greater depth through arrangements or structure as a result of the challenge. (The lyrics are pretty good, but yeah, this song really wants to be like 3 and a half minutes)
Puce's "Last Hope" is a rollicking ditty that kept me from being bored, certainly, but because he started out with a faster bpm, he had the most opportunity to change moods and tempos. However, I didn't really feel like the song takes the opportunity of more time to explore a range of musical and emotional options the way that Frankie's does.
Now back to the present...: I think there's very little doubt that the rock music industry overall (almost all genres) is dominated by male and masculine-oriented acts. Hip-hop, yes. Jazz, probably, with a greater appreciation for female vocalists. Folk, probably getting closer to even. I'm just guessing based on experience though.
I'm willing to admit that I probably have a bit of bias, because I tend to like music with a kind of aggressive tension to it, which appears more in traditionally "male" music. I love PJ Harvey, although I am very up and down about particular Ani DiFranco songs. I was a Breeders fan, hated Hole. Liked a bunch of Liz Phair songs off that first Exile in Guyville album. My attraction to Gwen Stefani is more based on her face and figure than actual music. (Can you guys tell I'm just flipping through my ipod now?) So yeah, I just contradicted myself a bit. Sorry.
I do find that it is happily welcome and sadly rare to find songwriters of any stripe who go beyond the usual boundaries, and that songfight tends to attract people who are willing to experiment a bit and who (in a good sense) have no shame, i.e. can put themselves on the line a bit.
At the same time, people sometimes have a hard time judging beyond genre. Some people hate jazz for some reason. All jazz, without listening to it. Same with chick rock, so-called. Same with hip-hop. That's just pride fuckin' wit you. Humans like to group off and feel like parts of individualized communities. I feel, in a lot of ways, that being an artist in whatever field is a matter of trying to stand sideways (not necessarily above or below) from your communities and describe something about them. Sometimes that pisses people off.
Anyway, I've been meandering trying to figure out how I'm going to close the Rant of the Day (tm), so let me just end with this:
FEEEEEEEEEEEEEEEEEEEEELINGS
NOTHING MORE THAN
FEEEEEEEEEEEEEEEEEEEEELINGS