Posted: Mon Aug 20, 2007 9:25 am
Wouldn't that make them the Apples in Mono?
Illegitimi non carborundum
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But do you take turns leaning in and out while you're playing? And who's your choreographer?blue wrote:we record live into one mic and the rest of you are gigantic vaginas.
Actually it makes them Ulysses. As it turns out it was Robert Schneider's other band. (Rob Schneider?..ha thats kind of funny... and it's obviously not THAT Rob Schneider)fluffy wrote:Wouldn't that make them the Apples in Mono?
That's pretty accurate - it's exactly what I do with my board. As I do the final mixdown, I have to do it in real time - as the song plays through, I adjust the mixers as the song plays, as well as adding/removing effects that I only wanted at one place in the song. It used to be more difficult for me, but I think the sound is better in the end, although it often takes about 10 tries to get the mix you want.Lunkhead wrote:In the old days I guess engineers would just make notes about relative level changes, then when they did a mix down they would have to actually hover over the mixing board moving the faders appropriately, though again I may not be explaining that well or accurately.
Tay ZondayMostess wrote:But do you take turns leaning in and out while you're playing? And who's your choreographer?blue wrote:we record live into one mic and the rest of you are gigantic vaginas.
Uh, better a gigantic vagina than a tiny tiny penis? Hey-o!!blue wrote:we record live into one mic and the rest of you are gigantic vaginas.
Hi-o!!Lunkhead wrote:Uh, better a gigantic vagina than a tiny tiny penis? Hey-o!!blue wrote:we record live into one mic and the rest of you are gigantic vaginas.