Songfight - The Motivational Poster
- rone rivendale
- Odie
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- fluffy
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And "emo" came from the word "emotional." I guess we can't hate on "emo" because that might be confused with Mahler and Beethoven?
Words (especially with things like popular culture) change meanings, and in the context it was clear that EmbersOfAutumn's poster was referring to the current meaning, which refers to acts such as Britney Spears and Jessica Simpson and so forth.
I'm pretty sure Wagner didn't refer to his music as "classical" while nobody today would refer to it as "contemporary." At the same time, orchestral music written in the modern era is often referred to as classical.
Words (especially with things like popular culture) change meanings, and in the context it was clear that EmbersOfAutumn's poster was referring to the current meaning, which refers to acts such as Britney Spears and Jessica Simpson and so forth.
I'm pretty sure Wagner didn't refer to his music as "classical" while nobody today would refer to it as "contemporary." At the same time, orchestral music written in the modern era is often referred to as classical.
- fluffy
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My point (which has nothing to do with emo, as much as I hate Bright Eyes) is just that terms like "contemporary," "classical," and "pop[ular]" change meaning with time. Just because the Beatles were called "pop" in the 60s doesn't mean that they'd be called "pop" today, and conversely, saying something about "pop" today doesn't mean it has anything to do with what was called "pop" in the 60s.
Last edited by fluffy on Thu Feb 21, 2008 7:09 pm, edited 1 time in total.
- Caravan Ray
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Steve Durand
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Now The Beatles are classical.fluffy wrote:My point (which has nothing to do with emo, as much as I hate Bright Eyes) is just that terms like "contemporary," "classical," and "pop[ular]" change meaning with time. Just because the Beatles were called "pop" in the 60s doesn't mean that they'd be called "pop" today, and conversely, saying something about "pop" today doesn't mean it has anything to do with what was called "pop" in the 60s.
"Writing about music is like dancing about architecture" -Unknown
"Seems to me this is the point of Songfight" - Max The Cat
"Seems to me this is the point of Songfight" - Max The Cat
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Steve Durand
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- Billy's Little Trip
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- EmbersOfAutumn
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Thank you both for your kind engineering tactics of getting back on track.Billy's Little Trip wrote:*runs in*Steve Durand wrote:I'll drink to that!EmbersOfAutumn wrote:Jazz
The Least Sober Of All Musicians*runs out*
Just pretend I didn't put that Pop poster up. Here--change it out with this one.

"Out of all I've learned in Life,
You always keep your friends close to your heart,
cause they'll help you if you're falling down..."
- The Ataris - Up, Up, Down, Down, Left, Right, B, A, Start
You always keep your friends close to your heart,
cause they'll help you if you're falling down..."
- The Ataris - Up, Up, Down, Down, Left, Right, B, A, Start
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Hoblit
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NO, the Beatles are classic ROCK.Steve Durand wrote:Now The Beatles are classical.fluffy wrote:My point (which has nothing to do with emo, as much as I hate Bright Eyes) is just that terms like "contemporary," "classical," and "pop[ular]" change meaning with time. Just because the Beatles were called "pop" in the 60s doesn't mean that they'd be called "pop" today, and conversely, saying something about "pop" today doesn't mean it has anything to do with what was called "pop" in the 60s.
Also <b>Embers</b>, I have met country artists who totally agree with that country phrasing accusation. They admit that most country songs could alternate between keys adjusted to a singers vocal range. I listen to a lot of country and you can easily recognize the patterns right down to some guitar, fiddle, and pedal steel licks.
- EmbersOfAutumn
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I actually meant both.Hoblit wrote:I somehow thought he meant chord structure...fluffy wrote:There's four of them? Are you counting "he left me," "she left me," "I love him," and "I love her" as separate ones?
Chord Structres, there's about 3 actually. G, C, D with the occasional Am;
A, E, D, E;
Bm, Em, repeat.
"Out of all I've learned in Life,
You always keep your friends close to your heart,
cause they'll help you if you're falling down..."
- The Ataris - Up, Up, Down, Down, Left, Right, B, A, Start
You always keep your friends close to your heart,
cause they'll help you if you're falling down..."
- The Ataris - Up, Up, Down, Down, Left, Right, B, A, Start
-
Hoblit
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I was actually referring to the phrasing structures. (I'm guessing now thats not the term to describe what I mean) There is a four to 6 chord structure that encompasses like 2 major chords, 1 minor chord, then back to a major. There are a few combinations but the steps and structure within each combination remain consistent. Therefore you can effectively play the same song one key up with a slightly different melody and whammo, a new song. A formula.EmbersOfAutumn wrote:I actually meant both.Hoblit wrote:I somehow thought he meant chord structure...fluffy wrote:There's four of them? Are you counting "he left me," "she left me," "I love him," and "I love her" as separate ones?
Chord Structres, there's about 3 actually. G, C, D with the occasional Am;
A, E, D, E;
Bm, Em, repeat.
In other words, you tell the professional country guitarist 3 chords, he can successfully guess the fourth... no matter which chord placements or chord position you give him.
Country theory if you will.
If you listen to country lead guitar,fiddle, pedal steel: you'll hear a lot of similar licks based on the exact sames scales at any given speed.

*runs out*