Reïst wrote:But there's a difference between a voice that grows on you and a voice that just isn't up to par.
And believe me, there is voice pushing going on to even get the dull, emotionless tone I get out of it now. I've had to stop singing for days in order to be able to speak properly again after singing too hard. That's probably due to poor technique, but the proper technique gives me the voice I used to sing with, which is fat and ugly.
I'm starting to think a voice is something you're born with.
Or maybe I'm just tired and pissed off that my vocals for In The Tank suck.

Bullshit. Your vocals sound good. I voted for your song buddy. What it is, is that YOU think they suck. Musician ego is very difficult. you can work your ass off trying to do something, and then people say ONE WORD and you are mesmerized by the opinion... and take action. Some players go into full on denial, right away. Some try to change to please their audience. Some etc etc etc. I thought you sounded great. Maybe I'm wrong, maybe I'm the only one. BUT I STILL FUCKING LIKED IT.
I think the true trick is to be self centered. Seriously. If you loved what you did... then it's good. If someone says "dude you need to push the 1 k up 3 db to highlight you're cheekbones, " ... and this is news to you, then great. If they say "you are flat", this can be helpful.
If they say " you sound too whiny" or "I don't like xxx about your xxx"... well, then you're getting into how the art in your voice is affecting them. Or is that effecting? who fucking cares. Semantics can lick my little area between the.. but i digress. If you like, great. If you LOVE, then GREAT. The only OTHER trick is to realize... when you're making art, it's not going to work the same way for every person, especially with music. If someone isn't into country, don't you find their ears are closed before the song starts? Now, I was off topic agagin. mother fu. If no one EVER likes what you're doing, you're stuck deciding to keep doing it for yourself, (akin to masturbation, but who the fuck doesnt like masturbation?? ...snicker... ) right. BUT!!! the GLORIOUS moment is when someone DOES dig it!!!
I played my In The Tank for this guy I' working with. He didn't really like it. He didn't like Gert's Calm Down AT ALL. (I personally am loving these two tunes). He thought your tune was excellent, and the best one he had heard in the fight (he heard ALMOST all). so what does that mean? It means he get's your music, that's what. I'm fine with him not getting mine... cause I know others who are geniuely excited about some of the stuff I do or am a part of, whether it's recording, a gig or that thing I do when I look deep into your soul and don't flinch and then someone says "stop staring at me" and I'm like "I'm not staring" (but I am) and then they are like " it's weird the way you do that" and then I'm like thinking... stuff... and I make it clear I'mhaving cognizant thoughts and their ... I wonder who made it this far in this ramble? Bet Small town did. Cause he's a writer. and he's looking for tips and something to inspire his next story on dental hygeine... dude, dont' you get sick of prostituting your talent?? go on the road as jam toast.. I'll be your roadie, we'll make a mint and our wives will never get jealous cause ... wel... they''ll be no backstage groupies as your target audience is like 3 and ahalf to 7 so yeah.
Point is, the musician's ego, like anyone else's, is quite frail. It's when you meet a player, be it Sidney Crosby, or Des... (I fucking love using Des and an example for just about anything. I'm also in the middle of a couple of Canadians... so bear bare beer with me).
where was I... right, blah blah. Your vocals were better than you are giving yourself credit for. I liked!