Bax
I love that first chord change, and the third! and back. Serious opportunities for layering shit and building up a huge mix here. You like to keep the listener waiting with unexpected sort of ideas. You really could have a monsterous little instrumental here. So many vocal ideas could have happened.
Caravan Ray
Even the tone of the initial vocal just fits the melody perfect. That initial title catch is the shit. Belongs in a western, so good. I love the turnaround about Frankie but don't know who he is. Chorus doesn't hit me hard because I can't identify. But man, I keep jumping back to the beginning because I really really love those very first I hate you's.
Chuck Chuck Moose
Sweet grooving acoustic guitar part. The tambourine is a good addition but almost could've skipped the drum programming. It's a good vocal and acoustic guitar groove. I could chill out jamming that acoustic guitar groove for hours. Dig the trumpet.
Comfort
It's late, I've been drinkin and in a haze and such. This just blew my mind. Two of the guitar changes just hit my soul and mad me so sad. Theres an underneath melody in those guitar parts.
Dark Liberty
Felt like kinda a rough start. The vocal's off key. I think you should scream your lungs right out. You gotta get way into that. If you're not working up a massive sweat singing the lead vocal of this, then you're not doing it right. Drum solo almost rocked in a Black Sabbath way, but....Rough change at 1:20...
Dean Sky
Te Amo Sofia! Yes I know this song! Oh such a nice keyboard slide I have to admit. Oh yeah. Ola muchacha? you callin me a sistah? Like a tranny on a ten?
Frankie Big Face
The first chord change is so sweet. Saves me from something I just worried about hearing. Good change. People said, Bowie, I hear that. I like it too, I'm a big fan. This is a very well done song, but wanders a bit later on. I really like the "not everything you want" in the chorus.
Hillybilly
The vibe of this just puts me back to thinking about every girl I broke up with or who broke up with me. Makes it hurt. God this is thorns poking in. It's really good and heartbreaking. Yeah, that's the real me. thanks man.
Latex Underpants
The vocal saved me from feeling like this was squaring up my soul like lego pegs to fit into unpleasant parts of each other. Any other choice of instrument would've pleased me, I think. Not bad if I think of it as a chant.
Monosodium Glutamate
Man I haven't had a little debbie oatmeal pie in probably five years but used to love those things.
Phunt Your Friends
I think you know how crazy this could be with a band. You are System of a Down. Just imagine this with drums, bass, guitar, and vox. This completely blows my mind. by 1:30 you've gone in a million directions. And even more chilling: I feel like you're talking to me personally. You love it. The hatrid comes through at 2:00. One may also suggest I want to hear the whole beginning part again. and again. And the dramatic keys from 3:25 to 3:54.
The Rant
Yeea! Turn up those guitars. and no reverb. Dammit. This is punk, you gotta scream it. Scream it. I hear the I hate you come in as a screaming rhythmic thing at 1:05 just one line screamed. the whole band screaming the title.
Rik Gerblik
I like the roundabout way you moved the chords right from the start. And then brought the band that I didn't expect. You've got good style in your voice, too. The vocals could come clearer through on the chorus. It almost has a rock/country feel but there could be a little more pop keeping it from there. This would just feel real good at a bar. It flows smooth, it's real commercial...like I'm not a sucker for that. sure. heh. catchy tune. nice little bass move on the prechorus.
State Shirt
That guitar right in the beginning is slamming. I want to hear more screaming emotion in the verse vocals, the screaming title in the chorus kinda snuck up on me. Really interesting changes. Disturbing. Playing out a suicide, it feels like. The backing harmonies are great. The abrupt changes around 2:50 keep me riveted. This should be backing in a action suspense movie. Really gripping. The death metal addition is mind blowing.
Stuey M
It's a great relaxing groove, have to say I'd like to hear congas more than the kit. The catch for me is the "anything at all, all" before the title line. Would be great to hear more build on that line, more voices. It's got a feeling of doom looming, I can give it that. I hear a rap from 2:30 out. a hard hitting city style rap. I'd dig that.
Takasonic + Mandown Five
Holy...the first line...it sounds like you're laughing, but a little pissed, all at the same time! I love the "you nevah..", and the title line. I mean, it's just so delicate yet chaotic. you might say, this gets me a little psyched. There's a lot of energy right from the start. It just makes me smile too much not to vote. Here's to Rockon and the T-rok.
Wally Harbinger
Starts of quick and I like how the keys and vocals both grab me right on "your death again". Sounds like it's going to be sad, then turns parody. Works good with the title. I lost attention until "disembowelments", but the solo brought me back a little that tone is nice. The vocals are pretty funny.
Gert
Ah so smooth, yet chafing. Greasy, but got a good grip.
