The high note is hilarious, but you totally pull it off. Take on me comes up in the rotation on our family get togethers, so now I know how I look hitting the high note.GlennCase wrote:'Take on Me' - Originally recorded by a-ha

The high note is hilarious, but you totally pull it off. Take on me comes up in the rotation on our family get togethers, so now I know how I look hitting the high note.GlennCase wrote:'Take on Me' - Originally recorded by a-ha
Yay Flowers: Great little groove. Like it. Kind of wanted more lyrics though.Damien Verrett (Jonas) wrote:Hey everyone! I haven't been on songfight in ages, but I've still been recording loads.
Can someone tell me what they think of my new songs: http://www.myspace.com/realityrespond
Thank you!
I wish I could claim credit for the lyrics, but this is a Unicorns song : [melvin wrote:I’m Ready to Die: Hilarious lyrics. Great vocals. Really catchy and cute.Damien Verrett (Jonas) wrote:Hey everyone! I haven't been on songfight in ages, but I've still been recording loads.
Can someone tell me what they think of my new songs: http://www.myspace.com/realityrespond
Thank you!
Yeah, pretty much what Spud said. "Tighter timing," I think he's calling for.Spud wrote:You, sir, are a glutton.
Clearly, this is recorded in tracks. I would assume drum, then guitar, then vocals. I mean, I can't tell from listening, but that would at least be logical. It sounds, however, that you recorded the three tracks independently (i.e., without hearing what you had done already at the same time), and then mixed together at the end. I doubt if this is the case, but that's what it sounds like. There is no correlation between the three different beats, speeds, or rhythms of the three tracks.. Here is my suggestion, then: turn the fucking drum machine up. WAY UP. Not during recording, and not in the final mix, perhaps, but while you are recording the other tracks, and put on some headphones. Obviously, you can't hear it at the volume you are using. It should be so loud that you absolutely can't ignore it. I don't even care if you can't even hear your guitar while you are recording it, or your vocals while you are singing. Do not ignore the drum machine. You might start by recording to a simpler loop, which has a very obvious feeling of the beat, and then swapping it out for something more complex at the end. It is possible that you ARE hearing the drums, but that they are confusing you. I dunno.
Also, get that ridiculous grin off of your face. It's disturbing. Close your mouth. Stare at the camera, as if you suspected it of some sort of mischief. Do this for me. Please.
Are you talking about the first song, bite down? I love stuff like that. It's really good in my opinion. To me, it's like progressive jazz/rock/punk. It's a wonderful place to be. It's funky and rocking. I live for stuff like this. You really should enter a fight here, I think many would appreciate your originality. I know I dig it!Damien Verrett (Jonas) wrote:So my band has a new song and I'd love some commentary on it.
http://www.myspace.com/thespeedofsoundinseawater
This was my first time recording drums, so that's one particular area I'd like some critique on.
There are some super sloppy sections in this that make me cringe every time they come up, but apart from that is it an okay song?
this might sound weird, but that dolphin image completly goes with the first track bite down. very indie, and they compliment eachother very well. thats all.Billy's Little Trip wrote:By the way, you have no idea how your light blue tile and dolphin MS site makes me feel. Great choice. I think and feel just like your site. Naturally, I added you.Damien Verrett (Jonas) wrote:So my band has a new song and I'd love some commentary on it.
http://www.myspace.com/thespeedofsoundinseawater
This was my first time recording drums, so that's one particular area I'd like some critique on.
There are some super sloppy sections in this that make me cringe every time they come up, but apart from that is it an okay song?