Prog Cover Fight

Discuss the many little competitions/projects that spring up amongst the Song Fight community.
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Post by HansGruber »

j$ wrote:I'd certainly be up for helping someone out on a prog cover
Oh, man it's tempting. Real music would be great...I'm considering songs based on my patience with the sequencer and my mini keyboard...not the ideal setup for Prog Rock!
j$ wrote:I would call Queen Pomp-rock not prog-rock and Fat Bottomed Girls is clearly clearly not a prog song.
You have a point. We're having a little difficulty clearly defining the boundries on this fight. I like to make exceptions where I believe it would be appropriate, and I think Jack doing FBG would be exquisite. Let me know if I went too far.
j$ wrote:Otherwise I will be bringing Jethro Tull's Thick as a Brick, replete with MIDI flute patch.
Johnny, that's just too perfect for you. Can't wait to hear it. Glad we got an Englishman in here.
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Post by Rabid Garfunkel »

Kinda surprised no one's called anything off Emerson, Lake & Palmer's "Pictures at an Exhibition" yet.

Oh hey, sidefight means instruMentals are cool. Sweet.
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Post by HansGruber »

Rabid Garfunkel wrote:Kinda surprised no one's called anything off Emerson, Lake & Palmer's "Pictures at an Exhibition" yet. Oh hey, sidefight means instruMentals are cool. Sweet.
Especially if you're thinking about EL&P. Someone (I think) brought up 'Fanfare for the Common Man'.

I met Aaron Copeland on my 16th birthday. Kinda exciting. He was really old.
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Post by deshead »

THC wrote:depends on what province you are in....I can tell you that in British Columbia the crop is..well, ....nice.
Yeah, out here, not so much.
tonetripper wrote:a true Canadian contingent. (no offense Des or Puce)
Heh, all the better to break out my campfire-clearing acoustic version of Red Barchetta.

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Post by HansGruber »

THC wrote:depends on what province you are in....I can tell you that in British Columbia the crop is..well, ....nice.
I'm told that's where NYC gets the good stuff. You can usually tell when it's from Brooklyn, anyway. So...Thank you.
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Post by roymond »

HansGruber wrote:
Rabid Garfunkel wrote:Kinda surprised no one's called anything off Emerson, Lake & Palmer's "Pictures at an Exhibition" yet. Oh hey, sidefight means instruMentals are cool. Sweet.
Especially if you're thinking about EL&P. Someone (I think) brought up 'Fanfare for the Common Man'.
I met Aaron Copeland on my 16th birthday. Kinda exciting. He was really old.
Not to brag...OK to brag...

I saw ELP with a live orchestra do both these ditties...1977?

I met Aaron Copeland on his birthday. Actually played in the orchestra in a concert for the occassion. 1980
Last edited by roymond on Tue May 03, 2005 1:01 pm, edited 1 time in total.
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Post by HansGruber »

roymond wrote:I met Aaron Copeland on his birthday. Actually played in the orchestra in a concert for the occassion. 1980
Goddam, will you quit blowing my mind? ....can't ....take ....much ....more

<pop!>
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Post by jack »

j$ wrote:I'd certainly be up for helping someone out on a prog cover - I would call Queen Pomp-rock not prog-rock and Fat Bottomed Girls is clearly clearly not a prog song.

If you want me on yr song, then let me know. Otherwise I will be bringing Jethro Tull's Thick as a Brick, replete with MIDI flute patch.

j$
if it was called fat bottomed boys, you'd have no problem with it. :P

yeah, there's alot of Queen that is more prog than FBG, but it's not progsongcoverfight, it's progartistcoverfight.

and fat bottomed girls has my tatoo all over it.
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Post by Justincombustion »

It'd be really cool to "b-side" it with a cover of Bicycle Race!!
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Post by HansGruber »

jack wrote:it's not progsongcoverfight, it's progartistcoverfight.
I like. Good clarification.
justin wrote:It'd be really cool to "b-side" it with a cover of Bicycle Race!!
I was thinkin' the same - in fact, "bicycle, bicycle" popped into my head when Jack mentioned FBG. Maybe the two of you could issue a 45.
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Post by Bolio »

What a great idea this was. One of my very favorite eras. Today I start the gruelling task of covering an <ouch> Yes song. Ambitious. Gimme couple months. 8)
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Post by boltoph »

Yes!
I was thinking some more about this and realized that any prog I try to write will really just be metal and I'm just not that familiar with prog rock to really cover anything...I guess I'm out. I'm going to use my "prog/speed metal" idea in an upcoming songfight but it'll probably end up more like "heavy emo". We'll see. I've learned a bit of Rush and Yes because I really love the musicianship. I've always thought that the Mahavishnu Orchestra was prog at its finest, but maybe I'm wrong. I love John McLaughlin's guitar work.
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Post by HansGruber »

Bolio wrote:What a great idea this was. One of my very favorite eras. Today I start the gruelling task of covering an <ouch> Yes song. Ambitious. Gimme couple months. 8)
Which one?
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Post by Bolio »

Long Distance Runaround. Don't really like 'The Fish' all that much, maybe segue into 'Your Move' or something like that.
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Post by HeuristicsInc »

by the way, i'd like to do something for this. dunno if i will be able to. i don't actually have 'chops.' probably something pink floyd, 'cause they're awesome.
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Post by HansGruber »

HeuristicsInc wrote:by the way, i'd like to do something for this. dunno if i will be able to. i don't actually have 'chops.' probably something pink floyd, 'cause they're awesome.
-bill
I don't either, but we've a few months to program away. I'm trying to figure out how to quantize 5/7 time...;)
Bolio wrote:Long Distance Runaround. Don't really like 'The Fish' all that much, maybe segue into 'Your Move' or something like that.
Oh man, good choice. Stylistically dead-center. You will be penalized heavily, however, for not sequing into The Fish.
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Post by roymond »

boltoph wrote:I've always thought that the Mahavishnu Orchestra was prog at its finest, but maybe I'm wrong. I love John McLaughlin's guitar work.
Fusion, that. With Return to Forever, etc. Awesome, too.

A general question - is it the intent to cover these artists or to emulate them? I ask because, as you may know, my covers rarely resemble the source. And so I'd like to stress to anyone fretting their lack of "chops" to pull off a Yes (or them or them or them) cover...doesn't matter! I frankly don't want to hear how close people can get to the synth solo in Lucky Man or the guitar solos in The Gates of Delirium. But I'd love to hear Heart of the Sunrise on uke and thumb piano :)
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Post by Mostess »

jack wrote:a good cover of "peaches en regalia"
"Peaches" is its own cover. No more can be done.
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Post by jack »

Mostess wrote:
jack wrote:a good cover of "peaches en regalia"
"Peaches" is its own cover. No more can be done.
so true. however, i saw phish bust out a version of this live and it was nearly note for note perfect. i flipped when i heard it. talk about ambitious.
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Post by HeuristicsInc »

i would say - cover the song, not try to emulate the artist. who wants to emulate artists? :)
i have a vague idea i may have downloaded one of those phish peaches somewhere around here. hmmm... can't find it.
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Post by roymond »

jack wrote:a good cover of "peaches en regalia"
The first time I saw Zappa, he played that cover of "Stairway to Heaven" (I think it's on the B'way the Hard Way disc) as an encore. Blew me away with all those horns doing the guitar solo! Genius :)
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Post by Leaf »

There is value in either approach. That Zappa cover of Zep... fucking awesome. What I respect about it the MOST is how they bust into Zep's version after the solo... you know what I'm talking about. They show they can do EITHER thing... intrepretations are fun... who can forget Dread Zeppelin?

What isn't cool is when people trash talk those that pull off a note for note rendition. That's just sour grapes.

I think it'd be cool to hear either concept... or <gasp> BOTH in a cover.


From a stylistic perspective... Neil Peart's drum parts are COMPOSITIONS. They were always the same. So I'm gonna honour that. As far as the otherparts go... I'm not so keen on singing like Geddy... so ....
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