MC Eric B wrote:rdurand - I totally agree with you, but everytime I use a premade hip-hop beat some songfighters give me crap about it, and some even refuse to review my songs because of that. Since I am a songwriter, not a musician, I would rather just focus on writing good songs, so using a premade beat is a big help. But, using premade beats is also a lot of extra work in some ways, because I have to totally rewrite my song to fit a beat I can't change much. So for now I am done using premade beats and am using my new Casio keyboard to make the music for my songs.
Solidarity, brother.
I am more a songwriter than a musician, too. And I am definitely
not a percussionist. I am lucky that my soul doesn't resonate to hip hop very much, so my bind isn't as tight as yours: G&G doesn't
need a funky beat*.
Here's my solutions, in order of "success":
6) None. No percussion. Even groovy songs can work without drums. Our
Baseball vs. Opera has no percussion. Ditto
Exclamation Point.
5) Build beats by hand, sample by sample. Make little loops, then make bigger loops out of little loops, and so on. It's annoying and it doesn't sound organic or interesting, but it carries the beat. Our
Safety in Numbers sucks, but not because of the handmade drum loops.
Les Anchois actually won! (EDIT: It tied with the more percussively deft
Pipe Fist)
4) Stolen sample loops. Only done this a couple times:
One Less probably worked the best. But it was supplimented with other drum samples pasted in by hand later.
3) Hand percussion. The most underrated instruments, I think. Hand claps are incredibly effective. Our
cover of 15-16 Puzzle's Don't Fix It has just a few hand claps, but they add some funk. Our
Pieces of Eight used: hand claps, beer can tab
a la thumb piano, a wedding ring on a beer bottle, a closed tupperware container with a hole in the top. Our third entry,
Last Date is mostly car keys, pounding my chest, and tapping the head of the microphone. I really like the sound of our
Oversleeping.
2) MIDI keyboard->GarageBand. I'm very lucky to have a nice MIDI electric piano (Xmas present for the whole family!) and a nice Mac Powerbook (for work). I finally bought a MIDI cable and tried it. Our
Pink Ribbon and now our Gray Rainbow are experiments. I have to do a 3 tracks---a bass-snare track, a hi-hat/cymbal track, and a tom track---because I'm only slightly better on keyboards than I am on drums.
1) Don't care about the crap people give you. Don't "totally rewrite (your) song to fit a beat (you) can't change much". Use any of the above techniques unapologetically. Reviewers will give you crap: that's their job. Your job is to write good songs. The Casio corporation's job is to sell you trinkets that you may or may not be able to use to make your songs good. And my job is, apparently, to be kind of snooty and condescending.
*
Yeah, yeah, I know. In some sense it does.
"We don’t write songs about our own largely dull lives. We mostly rely on the time-tested gimmick of making shit up."
-John Linnell