Posted: Sun Apr 24, 2005 7:40 pm
Re-whos? Reviews!
Battle Cry Creek
Head bopper, this one. Some timing issues in the vox, kinda off-beat/packed into many beats/syllable syllabobbles. And the chorus' vocal train wrecks between the two vox, but you knew that. Evocative of the late '70s-early '80s "let's pervert technology and make music" stuff that later devolved into new wave and such. Enjoyed it.
Hostess Mostess
Tight track. Octave shift on the low strings of the guitar? Fat sound. Nice stuff.
Luco Brazzi
Heh. Le Mash. The Musician's Friend line resounds mightily with me, yo.
MC Fancy Boy and Ry Guy
Errr. I've listened. More than once. Don't apologize in advance for things. If you're proud of this, great. If not, you're not obligated to submit if shit ain't coming together.
The Molsen Twins
Catchy fun stuff. j$, it sounds likes you're not getting enough air in your lungs to finish out the lines. Possible vote.
Phunt; Don't Tell and Phunt Your Friends
Hmmm. 1) I enjoyed these tracks. This is the sort of stuff I listen to at work incessantly (ask Morbid, heh). 2) I read your post explaining the schitzy side challenge between the two groups of you. Still lumping you both in the same review, as, well, it's more a pair of instrumentals with vocal samples than what falls into my personally vague definition of "song". Entertainment, yeah, but reviewing an assemblage of samples chained together... sorry, homeys, no can do. As well ask me to review the rain.
Primitive Screwheads
New "studio" up here. Completely different acoustics in this room, and well, it shows in the recording. Darned room 'verb. Sorry, Alby. And for the rest of you, the original track was at 184 bpm, and insanely distorted on the guitar. The Albatross is far more merciful than I.
j$, this is a song about the movie "Ghostbusters". Just so ya know.
Smalltown Mike
Dig this. A little much bass and reverb in the main vocals. EQing on the low-end (subtracting, not adding) of the main vocal track might make it cleaner. Good words, and feel for where they should go. Possible vote. Dig the fucked-out kick sound.
Song Fight Orchestra
This gets louder and louder without losing anything. Good mixing job. What is it with you and ninjas? Heh.
Your Momma's Muzak
Uhhhh... which breaks first, the picks or the strings, yo? No more Tenacious D for you, homey.
Battle Cry Creek
Head bopper, this one. Some timing issues in the vox, kinda off-beat/packed into many beats/syllable syllabobbles. And the chorus' vocal train wrecks between the two vox, but you knew that. Evocative of the late '70s-early '80s "let's pervert technology and make music" stuff that later devolved into new wave and such. Enjoyed it.
Hostess Mostess
Tight track. Octave shift on the low strings of the guitar? Fat sound. Nice stuff.
Luco Brazzi
Heh. Le Mash. The Musician's Friend line resounds mightily with me, yo.
MC Fancy Boy and Ry Guy
Errr. I've listened. More than once. Don't apologize in advance for things. If you're proud of this, great. If not, you're not obligated to submit if shit ain't coming together.
The Molsen Twins
Catchy fun stuff. j$, it sounds likes you're not getting enough air in your lungs to finish out the lines. Possible vote.
Phunt; Don't Tell and Phunt Your Friends
Hmmm. 1) I enjoyed these tracks. This is the sort of stuff I listen to at work incessantly (ask Morbid, heh). 2) I read your post explaining the schitzy side challenge between the two groups of you. Still lumping you both in the same review, as, well, it's more a pair of instrumentals with vocal samples than what falls into my personally vague definition of "song". Entertainment, yeah, but reviewing an assemblage of samples chained together... sorry, homeys, no can do. As well ask me to review the rain.
Primitive Screwheads
New "studio" up here. Completely different acoustics in this room, and well, it shows in the recording. Darned room 'verb. Sorry, Alby. And for the rest of you, the original track was at 184 bpm, and insanely distorted on the guitar. The Albatross is far more merciful than I.
j$, this is a song about the movie "Ghostbusters". Just so ya know.
Smalltown Mike
Dig this. A little much bass and reverb in the main vocals. EQing on the low-end (subtracting, not adding) of the main vocal track might make it cleaner. Good words, and feel for where they should go. Possible vote. Dig the fucked-out kick sound.
Song Fight Orchestra
This gets louder and louder without losing anything. Good mixing job. What is it with you and ninjas? Heh.
Your Momma's Muzak
Uhhhh... which breaks first, the picks or the strings, yo? No more Tenacious D for you, homey.