FAWM
There's also the RPM Challenge. Gonna be a busy month.
And aside: I gotta plug the FAWM compilation CD, for the obvious reason (8)), but also because it's probably not obvious to most people just how much work Burr puts into FAWM. If you've ever participated, and gotten some good songs out of the experience, consider sending a few dollars to the cause.
And aside: I gotta plug the FAWM compilation CD, for the obvious reason (8)), but also because it's probably not obvious to most people just how much work Burr puts into FAWM. If you've ever participated, and gotten some good songs out of the experience, consider sending a few dollars to the cause.
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- Paco Del Stinko
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Can anyone FAWM, RPM, and Songfight in 28 days? That's 14 songs, plus 10 songs (or 35 minutes of material), plus 2-3 SF titles? Just about a song a day for a short month. A sizeable challenge, mustering energetic performances of stripped down songs might be the ticket to any success. I am not afraid to stink on a large scale - why not go big?
Anyone else want to give it a go? Most completed 'wins'. If you can do an album a day, certainly two albums in a month is attainable. Easy math, right?
Anyone else want to give it a go? Most completed 'wins'. If you can do an album a day, certainly two albums in a month is attainable. Easy math, right?
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jimtyrrell
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- glennny
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What are the tie-breakers? I can see Jolly Roger, AAD, Zipline, and Paco all finishing 100% of those songs. Probably King Arthur too if he's doing it.
Phillipso, Older Brothers, Semolina Pilchards, Zipline , Thank Glennny for the Frisbee, The Odoriferous Valley, The Worldly Self Assurance, Berkeley Social Scene, Very Gentle Knives, Daddy Bop Swing Set, GUNS, The Kraken Lives, Cavedwellers
Combined SF votes? Earliest completed? Total album sales?glennny wrote:What are the tie-breakers?
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- Paco Del Stinko
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HeuristicsInc
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That post goes well with your avatar.
-bill
-bill
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http://heuristicsinc.com
Liner Notes
SF Lyric Ideas
http://heuristicsinc.com
Liner Notes
SF Lyric Ideas
As I understand it, RPM is about finishing a complete album (i.e. all tracks recorded,) where FAWM is just about writing an album's worth of songs.
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- Paco Del Stinko
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I've been clearing my schedule recently with February in mind, and I've been trying to sort out what the deal is with FAWM Vs. RPM. From the RPM FAQ:
Why on earth, in this day and age, is it a requirement to send a CD in?RPM FAQ wrote:Ten songs or 35 minutes of recorded material, on a CD, postmarked or hand-delivered by noon on March 1 to:
10 Vaughan Mall, Suite 1
Portsmouth, NH 03801
Wait, wut? You can record OLD songs that you wrote earlier? What the shit kind of challenge is that? If only someone could enlighten me...RPM FAQ wrote:All material must be previously unreleased, and we encourage you to write the material during February too.
Ahh, thanks Burr. Well, I don't think I'm going to burn 14 skirmishes and send them to New Hampshire just so they can be compared against everyone else's 10 best pre-written songs that they spent the month polishing.Burr Settles wrote:My understanding is that RPM was started by Jon Nolan, a friend of fellow fawmer Andrew Grimm. He heard Grimm's 2005 FAWM CD Mountain Halo, which he both wrote and recorded entirely that February (and then went on a US East-coast tour with Ellen Cherry in March to promote it).
Nolan and some friends first wanted to get a lot of New Hampshire bands to do FAWM, but they decided writing 14 new songs was an unrealistic goal for most, while recording 10 old songs wasn't... so they created the RPM Challenge as a local FAWM knock-off (quite openly) instead. Apparently they've gone international now.
Here's an article from Pitchfork from last March. One more reason to dislike Pitchfork: they slammed FAWM for having a low success rate last year. To put things in context, though... writing 14 new songs is a lot harder than recording 10. And that first RPM was from a single tight-knit music scene. The first FAWM had 100% success rate.
I approached the RPM folks last year about joining forces to do something collaborative like "do FAWM this month to write 14 songs and then do RPM this month to polish at least 10 of them," but I never heard back. But I think it's cool that some people are doing both!!
If anything just won me over to FAWM, this is it.Burr Settles wrote:SongFight! - Weekly challenges. They give you the titles, you write the songs. I know a lot of fawmers in the past learned about it through SongFight and have double-dipped FAWM/SF songs before.
- Paco Del Stinko
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So it's record an album vs write and record an album. I never stopped to consider that you wouldn't necessarily be doing it all from the bottom up or that it was anything worked out beforehand. I'll hand deliver them some fresh un-polished turds, with artwork to boot. I would guess that FAWM is more all over the map as far as musical styles go than RPM is also.
Though FAWM is about the writing, not the recording. (Read the previous page of this thread.) Most of the participants record rough demos of their songs, and come back later to clean them up. And Burr is pretty clear that the recording isn't even necessary.Paco Del Stinko wrote:So it's record an album vs write and record an album.
So maybe FAWM motivates you to write the songs, where RPM motivates you to record them.
Some people find that once they start writing for FAWM, the creative floodgates open. You might surprise yourself.JR wrote:FAWM for me. Probably not much else.
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