679:
I'm quite fond of this. Specifically everything sounds good mix and timbre-wise, the bass is busy, the time signature is quirky, there is this textural synth that comes in that reminds me of something, anyway, I like that enough suddenly appearing out of nowhere, it feels right.
Berkeley Social Scene:
Rocking rhythm, vocals clear and committed, except on the harmony part, the vox providing harmony seems less strong than the spirit of this song would require. Nice guitar tones throughout, good solos. Always sounding together and well mixed.
Distance:
Sparse opener, building suspense, I'm fond of the autotune. Tension in the story and the music is appropriately taut. Beautiful harmonies. Epic in scale, in delivery, and composition, which suits the monarch theme.
Grid:
Musically sort of ambient and appropriately styled for this stream of consciousness type of delivery.
Hostess Mostess:
Catchy tune, I love the treatment of the topic. It has everything I like in g+g tunes plus audience engagement which is like the extra zazz on this delightful revisitation of the US Constitution. It has a rollicking tempo, concise witty lyrics, the guitar sounds fantastic - one problem I have is when people beat guitars as they sing, an aggressive strum is great, listen to your strings brother are they suffering? there's none of that here, the delivery is clean.
jj.is.ok:
Nice straightforward punk sound. Specifically the guitar has a good sound, aggressive, fast, pleasing chord progression, suitable vocal delivery, your voice sounds great. Wanting to be king is not punk, however. Unless its because you know how to live, then we'd have to see...
Tim Hinkle:
Is this all analog instruments (except probably the strings)? Musically, multitextural and engaging. Vintage sound. You kinda sound like Ian Anderson from Jethro Tull. Lyrically this tune is dark, and our narrator is not nice. I particularly enjoy in this song the varied percussion.
V4nnim3l:
Catchy chorus, interesting fast-paced lyrics, ear-pleasing synths. This was one of my favorites of the fight in terms of musical candy, and I mean that as pleasingness, certainly not as lacking substance. This tune packs a lot into a short length: tight, tense verse, expansive colorful chorus, concise clever lyrics in a clear and pleasing voice throughout.
Brown Word and the Big Whine:
I had to portray the acknowledgment of the moment it was made publicly known that this shit is off the rails. I could expound a lot on the meaning behind the lyrics but hopefully they are pretty self explanatory. What if the things we are expected to want are actually deeply fucked up? So fundamentally fucked up that it is no longer obvious, like people are so accepting of viciously fucked up ideas that calling it out as fucked up seems like some slur that needs to be stomped out, a worse offense than the fucked up ideas themselves? And suppose you put on your inner James Baldwin and normie stuff all around you shows signs of a fundamental decay threaded throughout; like where do you turn when the official answer to who authorized murder in international waters is "Your mom"?