Me next! Don't miss the
bonus post-deadline song at the end of this post. Or do. See if I care.
Aardwolves -- The transition to the bridge is... not there. That threw me off the most. Feels like something got cut away there. Other than that, the song is pretty good, though it doesn't really captivate me (that's optional though, isn't it?). Your vocals need to be louder in the mix, and perhaps loosen up the performance a bit. Plus points for the librarian boy!
Andrew Reist -- Huge reverb fits in well with the pads. Great vocals! I think the septime jumps in the chorus are a bit random. The pieces which have only drums and pads feel a bit hollow. More guitar might have done a good job of making things sound more whole. Overall, not quite my kind of music but quite good beyond that.
Bax -- Cool guitar. Bit short. Vocals sound rather dry, perhaps adding a hint of reverb could have been interesting.
Billy's Little Trip -- Again, great mixing! Everything's just right here. I don't like the vocals (mostly stylistic preference) but they're pretty good, as is the performance of everything else. I think the guitar in the outro could have done with a tad more body. Anyway, voting! Caveat: there's a typo in the ID3 tag.
Booty Chesterfield Trio -- I really don't like this, so don't expect much of a review. I think it's clipped in places. Performance and engineering seem to be good.
Enter It In The Art Show -- I would have reduced reverb/delay on the vocals and turned them up. The screamy guitar stuff gets boring. Too random for my taste.
Flvxxvm Florvm -- Love the guitar. Nice song, great chorus (though the lyrics are hard to understand in there). The guitar in the right channel during the solo is a bit out of rhythm at times. Doesn't really take much away from the song, though. You almost didn't make the voting threshold (the intonation is below my usual criteria but this song is just too cool to dismiss it just because of that), but only almost.
Grass Stained -- Todd's cleverly disguised second (first?) entry to this fight. Same remark on the vocals at last time: step away from the mic or EQ away LOTS (especially plosives! "PPaPPer thin" really doesn't do that much for me). The ending got cut off. Not my kind of music but performed well enough.
Hand Formula -- I hope that's supposed to be effects and not some kind of instrument. I almost can't hear your vocals. No cake.
Jonathan Mann -- I think either the vocals have too much or the guitar not enough reverb. They sound like they're in different rooms. If they were part of the same take, perhaps more or differently placed mics? The falsetto bit needs better intonation (otherwise the vocals are just as good as expected). Apart from that, this is a good, simple song.
Leyvamonster -- The string sample is annoyingly loopy. Tune your instruments to match! The chorus vocals sound phasy; to me that's not a good thing. The C-64 style samples are way too loud (relatively) and the vibrato is too slow! Sounds like a broken record. If it weren't for the tons of (what I consider) gratuitious effects (deliberate pitch shifting artifacts, overdriven vocals, ...) I might like this.
Lords of the Ring -- While this certainly works and everything fits together, I don't like this kind of stuff and I think the vocals are a bit sloppy.
Melvin -- Wow! That starts out incredibly fast-paced... I got hooked immediately. Rap still doesn't appeal to me but I can't help but like something that does its thing so well. That's a vote! Caveat: the energy curve is pretty much at max all the time, it gets a bit fatiguing.
noah mclaughlin -- Tons of bass! It certainly sticks out in that regard. I would have cut the bass a bit. Occasionally clipped. Good guitar(s), decent vocals, cool background vocals in the chorus. All in all it doesn't really hold my interest but it's at least okay.
No Horse Town -- Turn up the vocals. Not my kind of thing, apart from that it's okay.
Octothorpe -- The vocals don't blend in well with the rest. The guitar/bass aren't tuned to match. Not my kind of thing either.
Paco del Stinko -- Not quite my kind of thing either but closer. The chorus rocks. Interesting bridge, really adds to the song.
PiGPEN -- The samples sound hacked off (hard attack, long sustain and cutting off notes doesn't work together that well) and are too present in the mix for my taste. The rest of this song is not my... well, you guessed it.
PITRE Consulting -- A tad less bass in the beginning please? Minus points for lacking vocals. Other than that, it gets an "interesting" from me, mostly in a good way. I can even stand it being rather crowded because it's a well-organized crowd.
Primitive Screwheads -- Fun. The vocals are somewhat uneven.
Ross Durand -- Great intro, good vocals, amazing mood. In fact, what comes after the intro is just as great. I'm voting for this.
The Royal Pajamas or Something -- Can I have this with a shorter intro? Oh, there's nothing after the intro. Minus points for lacking vocals. Other than that it's actually intriguing, despite (or because of?) being a bit random. Cut off at the end.
Shotpounder -- Energetic and feels complete. Cool lyrics. You almost didn't get my vote because the vocal sloppiness puts you slightly below the bulk of the other votes but I decided the song is too good to leave out so I'm violating my personal informal rules for the maximum number of votes this time.
SomeGuyCalledNoel -- Good guitar playing (though a bit buzzy in places). Good vocals, consider turning them up a bit in the mix (and make them not clip as happened at the beginning of the second (?) verse). I like this song. Voting.
Suckweasel -- Well-mixed right from the start (give the vocals a bit more power though?). I like how everything very gradually crescendos (crescendoes?) towards the chorus. Good song. Voting. (I was typing that I'd liked another guitar added and as I did, there it was... good job reading my mind!)
Sven Mullet -- Ick, that intro sounds seriously detuned (and less twanginess on at least one guitar would have been nice). Good song though and the rest of the performance is good enough. Okay, now that I've heard the "crush" bit: good song except for that.

Nice solo.
the testtesttests -- Better than the band name had suggested to me. I don't find it particularly exciting but it's still good enough.
Todd McHatton -- Ah, the other submission. Clipped! I definitely like this one better, anyway. Really made me come back alive (it's 2:14 am as I type). Interesting chord progressions. Fits together well. Voting.
The Weakest Suit -- The tremolo on (part of) the vocals is SO not cool. I think vocals and guitar don't complement each other well in the "paper thin" parts. Is that supposed to be a good ending? Stopping suddenly is okay, but this is to the point of sounding cut off... the song is innovative and otherwise well done though.
So that means votes for: "Billy's Little Trip feat. Steve Durand and Aardwolves", Flvxxvm Florvm, Melvin, Ross Durand, Shotpounder, SomeGuyCalledNoel, Suckweasel, Todd McHatton.
===
Now for the
bonus I promised. You get to hear a really revolting rough demo of what I'd planned to submit to this fight. This is a vocals only song and those always take longer because it takes more takes to fill the soundscape. I wanted to make things fit better together than that, really, and I recorded more than half of the samples while writing this, within two hours or so. The mixing is not exactly very refined either (overcompressed too). I was going to make it a lot more sappy at first but then I decided not to. That decision influenced the timbre of some pieces of it, too. On the other hand, I didn't get as far with the new lyrics as with the old ones (which had an additional bridge and a third chorus).
You can download it here:
Jan Krueger - Paper Thin