Acapella Annie
A little pitchy for a capella, but probably about as well I could have done. I'm sure any one of the songfighters would be happy to help with a simple backing track next time if you want.
Kind of a sweet lyrical treatment, a la "The Morning After"; narrator is hesitant and then jumps in with both feet.
The Anchorage Accord
I really like the chiptune feel. You've definitely got introspective and dramatic nailed (that's a compliment).
Imagery is good, the keys, songwriter. I'd have liked it if you did more lyrically in the chorus. The triangle / obtuse reference isn't bad.
Brown Word and the Big Whine
The synth is harsh and tramples your vocals in the verses. Synth is mixed fairly high overall. I mean, it's a cool riff.
Just makes it hard to concentrate on the lyrics.
Cody Jr. & Ladies Night
Kind of James Brown. Felt kind of empty in the arrangement but some of those textures were cool. Neat to have a track with kazoo. I totally thought it was a bari sax initially. Is that a marching snare? Actually, are you using all drumline percussion?
The ukulele bit was kind of funny.
There's not a great deal to comment on lyrically, but that's the style. I'm a much bigger fan of your alt-country songwritering.
But kind of neat to hear something different.
DJ Ranger Den
Moody and intimate piano. Diggin the feel. Nice vocal swells. Piano sounds great. I'm sort of a sucker for that.
The move to the chorus is a great change. Lyrics are a cool kind of Pandora's box warning. Vocals are a tiny bit harsh on repeated listens.
Dr Octagon
Heh. Lyrics are smirk-tastic. Verse 1 and 2 were decent enough that you probably could have finished the song. But it's sort of fun how it turned out.
A Fluxus of Weasels
Wow. That's a lot of distortion. Like way more than I enjoy. Maybe I'm getting old but you could really stand to roll off the high frequencies. It's like everything is crunchy. Smoothing out the vocals might make them pop a bit better.
The Kenzie Chickens
Did you and Cody plan a funk-off? Also, fun how there were a couple of self-aware songs this week. Lightened things up.
I like the lyrics - some good imagery/euphemisms in there.
Krautnuck
Great track. Dark, synthy Depechemode feel. Kind of gloomy and dreary in a sort of Euro way.
I like this. This is a great driving on a rainy day tune.
Lyrics aren't bad either. Be careful with that because none of it is real.
Kind of a cool concept, and the arrangement fits so kudos.
Mickey Skylark
Not sure why this reminded me of some of Garrison Keillor's word-from-our-sponsor songs on Prarie Home Companion. I think it's the lighthearted approach, chord progression and the walking bass line. LOL on "first name is avoid." Clever. Guitar solo is clever too. Well done overall.
Nobody, et al.
Ya this one is me. Yay for getting to use my 12-string.
However, I could really use some pointed advice as regards the EQ/placement/mix. I'm not super happy with it.
Paco del Stinko
Neat feel, interesting chords, and tight playing as always. How do you record things so every signal is both hot and clean?
Pigfarmer Jr
Happy acoustic, cute little love song.
Lyrics don't give any indication of why you NEED her to be careful with your heart, just that you're giving it to her because she's awesome and your life hasn't been the same since. Which is cool, but doesn't necessarily tie back to the chorus.
Otherwise I like it.
sausage
A little bit Jim Morrison on the verses, wierd feel but kind of cool. Total departure from Fat Man a few weeks ago. May more avant and experimental.
Vocals could be a little more present. Percussion is sort of synthy and industrial. Bass could be more present.
And the electric guitar when it comes in sits way on top of everything rather than mixing in. Which might be the desire? Gives kind of a disconnected feel.
Lyrics are either unrequieted love, or from the perspective of Stuxnet. Either way.
sonofsupercar
Energy and groove, lyrics that don't appear have any obvious cohesive meaning but still pull me in with random imagery. I like the drone and minimum of distortion, ups the intensity a little. The tempo pushes and pulls, but it works.
This'd be a good driving tune for the end of the world.
WreckdoM
You win the prize again this week for strangest lyrical content. Strike that, strangest content overall.