This is how Keep Yourself Moving looked in Multiquence. Not all tracks are present; I mixed the instruments down and used a separate MQ project to add vocals.

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Here's an MQ project where I used an assembly technique. It's an instrumental loop called
Operation Infinite Justice.

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Finally, here's my first serious Reaper project, for Robot Ninja Zombie Bear. I tarted it up with colours for this shot. Under some circumstances Reaper tints the raw colour selection, and I haven't figured out how to control that.
Note the Reason section. This is where I record MIDI IN tracks and mix AUDIO OUT tracks. The I/O Controller track looks after the sends and receives, and the Reason folder provides a master send and a handy collapse control. The return audio lanes take up some screen space, but they do provide direct control of the Reason tracks in Reaper's master mixer (not shown). An interesting side effect is that, for each synth, I can overdub a second MIDI track in Reason without sacrificing full control of the original MIDI track in Reaper. (In Reason Adapted that's especially handy, because you can't add synths to the default rack.)

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