The Academy Awards, or: Let's Talk Oscar!

mkilly · Post by **mkilly** » Tue Jan 25, 2005 7:04 am

Best Motion Picture of the Year
--
The Aviator (2004)
Finding Neverland (2004)
Million Dollar Baby (2004)
Ray (2004/I)
Sideways (2004)

Best Performance by an Actor in a Leading Role
--
Don Cheadle for Hotel Rwanda (2004)
Johnny Depp for Finding Neverland (2004)
Leonardo DiCaprio for The Aviator (2004)
Clint Eastwood for Million Dollar Baby (2004)
Jamie Foxx for Ray (2004/I)

Best Performance by an Actress in a Leading Role
--
Annette Bening for Being Julia (2004)
Catalina Sandino Moreno for Maria Full of Grace (2004)
Imelda Staunton for Vera Drake (2004)
Hilary Swank for Million Dollar Baby (2004)
Kate Winslet for Eternal Sunshine of the Spotless Mind (2004)

Best Performance by an Actor in a Supporting Role
--
Alan Alda for The Aviator (2004)
Thomas Haden Church for Sideways (2004)
Jamie Foxx for Collateral (2004)
Morgan Freeman for Million Dollar Baby (2004)
Clive Owen for Closer (2004/I)

Best Performance by an Actress in a Supporting Role
--
Cate Blanchett for The Aviator (2004)
Laura Linney for Kinsey (2004)
Virginia Madsen for Sideways (2004)
Sophie Okonedo for Hotel Rwanda (2004)
Natalie Portman for Closer (2004/I)

Best Achievement in Directing
--
Clint Eastwood for Million Dollar Baby (2004)
Taylor Hackford for Ray (2004/I)
Mike Leigh for Vera Drake (2004)
Alexander Payne for Sideways (2004)
Martin Scorsese for The Aviator (2004)

Best Writing, Screenplay Written Directly for the Screen
--
The Aviator (2004) - John Logan
Eternal Sunshine of the Spotless Mind (2004) - Charlie Kaufman, Michel Gondry, Pierre Bismuth
Hotel Rwanda (2004) - Terry George, Keir Pearson
The Incredibles (2004) - Brad Bird
Vera Drake (2004) - Mike Leigh

Best Writing, Screenplay Based on Material Previously Produced or Published
--
Before Sunset (2004) - Richard Linklater, Kim Krizan, Julie Delpy, Ethan Hawke
Finding Neverland (2004) - David Magee
Million Dollar Baby (2004) - Paul Haggis
Diarios de motocicleta (2004) - Jose Rivera
Sideways (2004) - Alexander Payne, Jim Taylor

Best Achievement in Cinematography
--
The Aviator (2004) - Robert Richardson
Shi mian mai fu (2004) - Xiaoding Zhao
The Passion of the Christ (2004) - Caleb Deschanel
The Phantom of the Opera (2004) - John Mathieson
Un long dimanche de fiançailles (2004) - Bruno Delbonnel

Best Achievement in Editing
--
The Aviator (2004) - Thelma Schoonmaker
Collateral (2004) - Jim Miller, Paul Rubell
Finding Neverland (2004) - Matt Chesse
Million Dollar Baby (2004) - Joel Cox
Ray (2004/I) - Paul Hirsch

Best Achievement in Art Direction
--
The Aviator (2004) - Dante Ferretti
Finding Neverland (2004) - Gemma Jackson
Lemony Snicket's A Series of Unfortunate Events (2004) - Rick Heinrichs
The Phantom of the Opera (2004) - Anthony Pratt
Un long dimanche de fiançailles (2004) - Aline Bonetto, Mathieu Junot, Delphine Mabed

Best Achievement in Costume Design
--
The Aviator (2004) - Sandy Powell
Finding Neverland (2004) - Alexandra Byrne, Mary Kelly
Lemony Snicket's A Series of Unfortunate Events (2004) - Colleen Atwood, Donna O'Neal
Ray (2004/I) - Sharen Davis
Troy (2004) - Bob Ringwood

Best Achievement in Music Written for Motion Pictures, Original Score
--
Finding Neverland (2004) - Jan A.P. Kaczmarek
Harry Potter and the Prisoner of Azkaban (2004) - John Williams
Lemony Snicket's A Series of Unfortunate Events (2004) - Thomas Newman
The Passion of the Christ (2004) - John Debney
The Village (2004) - James Newton Howard

Best Achievement in Music Written for Motion Pictures, Original Song
--
The Phantom of the Opera (2004) - Andrew Lloyd Webber, Charles Hart ("Learn To Be Lonely")
The Polar Express (2004) - Glen Ballard, Alan Silvestri ("Believe")
Shrek 2 (2004) - David Bryson, Adam Duritz, David Immerglück, Matthew Malley, Dan Vickrey ("Accidentally In Love")
Diarios de motocicleta (2004) - Jorge Drexler ("Al Otro Lado Del Río")
Choristes, Les (2004) - Bruno Coulais, Christophe Barratier ("Look To Your Path (Vois Sur Ton Chemin)")

Best Achievement in Makeup
--
Lemony Snicket's A Series of Unfortunate Events (2004)
The Passion of the Christ (2004)
Mar adentro (2004/I)

Best Achievement in Sound
--
The Aviator (2004)
The Incredibles (2004)
The Polar Express (2004)
Ray (2004/I)
Spider-Man 2 (2004)

Best Achievement in Sound Editing
--
The Incredibles (2004)
The Polar Express (2004)
Spider-Man 2 (2004)

Best Achievement in Visual Effects
--
Harry Potter and the Prisoner of Azkaban (2004)
I, Robot (2004)
Spider-Man 2 (2004)

Best Animated Feature Film of the Year
--
The Incredibles (2004)
Shark Tale (2004)
Shrek 2 (2004)

Best Foreign Language Film of the Year
--
Choristes, Les (2004) (France)
Untergang, Der (2004) (Germany)
Mar adentro (2004/I) (Spain)
Så som i himmelen (2004) (Sweden)
Yesterday (2004) (South Africa)

Best Documentary, Features
--
Born Into Brothels: Calcutta's Red Light Kids (2004)
Geschichte vom weinenden Kamel, Die (2003)
Super Size Me (2004)
Tupac: Resurrection (2003)
Twist of Faith (2005)

mkilly · Post by **mkilly** » Tue Jan 25, 2005 7:50 am

See here for links and whatever.

I'm really glad Eternal Sunshine of the Spotless Mind is getting some respect. I don't know why Counting Crows got a nomination for their dumb pop song. Passion of the Christ did have good cinematography.

I hope Kate Winslet and Michel Gondry/Charlie Kaufman/Pierre Bismuth or whatever win, and The Aviator and Sideways take home a bunch of awards.

Post by jb » Tue Jan 25, 2005 10:36 am

I really don't get the hubbub over Finding Neverland. It was pretty mediocre and obvious, imo. Depp was actually better in that Secret Window turkey. At least they nominated Winslet for the right role.

Swank is *really* frikkin' good in Million Dollar Baby. I've only seen two of the movies in the best actress noms. Winslet was really good too, but Swank was better.

Clive Owen deserves the Supporting Actor tropy, IMO. The other fellas were good, but he really kicked ass in that role. I hope they make him James Bond. He would be so cool, suave, and totally ruthless. It would be great.

Madsen didn't astonish me like the world thinks she should have in Sideways. She was ok. Her big speech was flat, IMO. I'd vote for Cate Blanchett just because she's so awesome but totally should have been nominated for Life Aquatic instead of The Aviator-- even though I haven't see The Aviator.

And OMFG Willem Dafoe got gypped in supporting actor. He was frikkin' terrific in Life Aquatic. Jesus.

The Incredibles should have been nommed for Best Picture. Motherfuckers. Brad Bird better win something. Or there will be a reckoning.

Collateral better not win for editing. Or again-- a reckoning.

Harry Potter should win visual effects. That movie looked awesome.

And the most successful documentary ever fails to get an Academy Award nomination, getting passed over in favor of Super Size Me? Which was good, but please. What a joke. Was f/911 disqualified for some reason? WTF?

mkilly · Post by **mkilly** » Tue Jan 25, 2005 10:58 am

jb wrote:The Incredibles should have been nommed for Best Picture. Motherfuckers. Brad Bird better win something. Or there will be a reckoning.

It's going to win Best Animated. In this I have absolute confidence.

Collateral better not win for editing. Or again-- a reckoning.

Of the nominees I don't see why it shouldn't win; it was very well-edited.

Harry Potter should win visual effects. That movie looked awesome.

Ugh. The Incredibles should win visual effects. I was not impressed by any of those three--though I, Robot did pretty well. Then, it didn't touch on much new ground, what with A.I. having been released in `01.

And the most successful documentary ever fails to get an Academy Award nomination, getting passed over in favor of Super Size Me? Which was good, but please. What a joke. Was f/911 disqualified for some reason? WTF?

Yes. Moore wanted to get it nominated for Best Picture instead of Best Documentary, so he submitted it for Best Picture and not Best Documentary. Apparently there's some funny rules that govern it, or maybe it's just that all the promotion went into pushing for a Best Picture nod and not a Best Doc nod.

Bjam · Post by **Bjam** » Tue Jan 25, 2005 11:20 am

They're all rather boring really.

How the heck did The Aviator get an editing nod? It's so bady chopped up.

The visual effects category is really boring...

Phantom was fairly pretty, so it could win the art direction.

The costume design category sucks. (Am an aspiring costume designer, so I'm mightily dissapointed by these)

The Village got a score nod? Uh... okay then...

The Incredibles should get the animated nod.

Eh, pretty boring year over all. If only we had a LOTR this year...

Post by jb » Tue Jan 25, 2005 11:55 am

mkilly wrote:
Collateral better not win for editing. Or again-- a reckoning.
Of the nominees I don't see why it shouldn't win; it was very well-edited.

Like the Academy, you seem to be confusing "lots of editing" with "good editing".

erik · Post by **erik** » Tue Jan 25, 2005 1:08 pm

How the hell are there three docs up for vote that weren't made in 2004? What is the window of time within which movies for consideration must have been made?

jimtyrrell · Post by **jimtyrrell** » Tue Jan 25, 2005 1:41 pm

I seem to remember something about Michael Moore saying he wasn't going to submit F9/11 for best documentary consideration.

EDIT: Yeah, okay. Here we go.
http://www.michaelmoore.com/words/messa ... 2004-09-06

mkilly · Post by **mkilly** » Wed Jan 26, 2005 2:53 am

jb wrote:
mkilly wrote:
Collateral better not win for editing. Or again-- a reckoning.
Of the nominees I don't see why it shouldn't win; it was very well-edited.
Like the Academy, you seem to be confusing "lots of editing" with "good editing".

No, I think that it did very well to set the various paces of the film. I found that the editing made up for deficincies in cinematography and direction.

WeaselSlayer · Post by **WeaselSlayer** » Sat Jan 29, 2005 2:44 am

Why isn't Eternal Sunshine up for best picture? That and Scorcese not winning an Oscar will make for a very bitter time. So far you're 0 for 2 Oscars! Or realistically like 0 for 1,000,000. Kevin fucking Costner winning an Oscar and not Scorcese. The Academy will never be forgiven.