For me, the main descending chord riff isn't interesting enough to make it memorable. The result is that I struggled to recall how the song went soon after listening. Contrast this to you entry last week, where a week later and after only a handful of listens, I could easily recollect how it went. Stating the bleeding obvious, writing a catchy riff is quite an art. I thought you managed it well last week, but not this. Could I do better? Probably not, but I would try to make either the rhythm or chord progression less predicable. As people have mentioned, there's lots of great music that isn't hook-driven. I just felt this suited a big hook and didn't quite have it for me.Billy's Little Trip wrote:Thanks for the review, Andy. You being one of the accomplished musicians here I like that puts out some great music, let me ask you point blank. If you were in charge of this production, what would you have done for a hook? And if you want to just leave it at "it just didn't grab you" that's cool too. But if you could, what would you do for a hook? Thanks.Andy Balham wrote:Billy & The Psychotics
For me, the music is missing that vital hook and I found the chorus somewhat underwhelming. I did like the breakdown and build up after the first chorus. I just wanted a hookier chorus.
Production-wise, I fear I am also judging you by last week's high standard. I thought the overall sound last week was very good, with good stereo and instrument separation. This week the overall sound strikes me as much narrower. Maybe I am getting too used to hearing stereo-widening effects or doubled guitar parts or maybe you just had less instruments to play with on this song. All I can say is I'd like more of what you did last week. All pretty subjective of course.