Is that what "autotune" sounds like? My god, the things I'd read about it make me think it was a much more subtle effect than that, like it made you sing in tune so nobody would ever know you didn't hit all the right notes. I've heard this effect in many, many songs, but I always thought it sounded like a vocoder. It works in this song as an effect. If this is what autotune sounds like, then singers who don't need it have nothing to worry about.Kweep wrote:Truth and Regret - I'm not usually a fan of autotuning vox but it works here... just wish you would've dropped the auto-tune during the distorted vocals.
Puteo Ergo Sum (The Stink Reviews)
- jeff robertson
- Claude
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- furrypedro
- Grok
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That's what autotune sounds like when it used really heavily, as an effect rather than a tool. It can be used subtly to clean up a bit of mild pitch wavering on a vocal take. I dunno but it's possible that Truth&Regret was just using a plain old vocoder there.jeff robertson wrote:Is that what "autotune" sounds like?
anyway, to the reviews.......
Steve Durand: my immediate thought was “yeah, straight in with the trumpet!â€
- Jim of Seattle
- Grok
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<font color=Maroon><b><i>Blue Lang</i></b></font>
<font color=black>Holy crap you've got to be kidding me. Extremely unpleasant. <b><font color=crimson>[bad]</font></b>
</font>
<font color=Maroon><b><i>Doscientos</i></b></font>
<font color=black>You guys have to give your singer a chance to sell the song. She always sounds like she's singing about 20 feet from the mic. Either that or there's WAY too much processing on her voice. Week after week I struggle to hear her lyrics. which is a shame, because they're clever and fun when I can make them out. Also, boost your bass more. Then when you've fixed your recording problems, go back and re-record all your other good ol' tunes, dangit. I'm glad Madi didn't ask me what it meant when she heard "country without any O". <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Drunk Todd</i></b></font>
<font color=black>This is good and all, but I hate fuzz guitar, so you lose points. Sorry. Good vocals, fun catchy song. It's all working, but, well, I just plain old hate fuzz guitar. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Fourth Grade Gladiators</i></b></font>
<font color=black>All good, matter of taste. A little relelntless. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Kweep</i></b></font>
<font color=black>you're crazy for making yourself hit that leap over & over. Well, you manage to pull it off, so kudos. The song is fun for about half of it, and then after the solo is over I start to get tired of that repeated tune fragment. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Melvin</i></b></font>
<font color=black>You guys are very good, but this is less inspired than some of your others. It stays too long at the same energy level and wears on my ears after not too long. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Phunt Your Firneds</i></b></font>
<font color=black>I am made automatically very uncomfortable whe I hear myself sampled. Can't get past that. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Soylent Spuds</i></b></font>
<font color=black>I appreicate the attempt, but it's not really very funny to me. Pretty young. <b><font color=crimson>[bad]</font></b>
</font>
<font color=Maroon><b><i>Steve Durand</i></b></font>
<font color=black>Nice channeling of Joe Raposo and Kermit, of course. Raposo's genius was that he could write songs like this without coming across too bitter or angry, which this one does. It's all good, but this song wouldn't have made it on Sesame Street because of the bile in the lyrics. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Those Meddling Kids</i></b></font>
<font color=black>I can't get past the sloppy vocal. But i'm reminded of XTC for the ambitious meter and overall British-ness of it. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Truth and Regret</i></b></font>
<font color=black>This has a lot going for it, but the distorted vocal makes that little crease between my eyebrows and I can't wait for that part to be over. The vocoder effects in general, though are kind of fun. Someday over-processed vocoder and auto tuning is going to be used as this nostalgic techniques to evoke the early 2000's. <b><font color=orange>[okay]</font></b>
</font>
<b>No [good] songs in this fight at all. I had very low expectations with a title like this, though. If I were a votin' man, I'd vote for Doscientos.</b>
<font color=black>Holy crap you've got to be kidding me. Extremely unpleasant. <b><font color=crimson>[bad]</font></b>
</font>
<font color=Maroon><b><i>Doscientos</i></b></font>
<font color=black>You guys have to give your singer a chance to sell the song. She always sounds like she's singing about 20 feet from the mic. Either that or there's WAY too much processing on her voice. Week after week I struggle to hear her lyrics. which is a shame, because they're clever and fun when I can make them out. Also, boost your bass more. Then when you've fixed your recording problems, go back and re-record all your other good ol' tunes, dangit. I'm glad Madi didn't ask me what it meant when she heard "country without any O". <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Drunk Todd</i></b></font>
<font color=black>This is good and all, but I hate fuzz guitar, so you lose points. Sorry. Good vocals, fun catchy song. It's all working, but, well, I just plain old hate fuzz guitar. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Fourth Grade Gladiators</i></b></font>
<font color=black>All good, matter of taste. A little relelntless. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Kweep</i></b></font>
<font color=black>you're crazy for making yourself hit that leap over & over. Well, you manage to pull it off, so kudos. The song is fun for about half of it, and then after the solo is over I start to get tired of that repeated tune fragment. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Melvin</i></b></font>
<font color=black>You guys are very good, but this is less inspired than some of your others. It stays too long at the same energy level and wears on my ears after not too long. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Phunt Your Firneds</i></b></font>
<font color=black>I am made automatically very uncomfortable whe I hear myself sampled. Can't get past that. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Soylent Spuds</i></b></font>
<font color=black>I appreicate the attempt, but it's not really very funny to me. Pretty young. <b><font color=crimson>[bad]</font></b>
</font>
<font color=Maroon><b><i>Steve Durand</i></b></font>
<font color=black>Nice channeling of Joe Raposo and Kermit, of course. Raposo's genius was that he could write songs like this without coming across too bitter or angry, which this one does. It's all good, but this song wouldn't have made it on Sesame Street because of the bile in the lyrics. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Those Meddling Kids</i></b></font>
<font color=black>I can't get past the sloppy vocal. But i'm reminded of XTC for the ambitious meter and overall British-ness of it. <b><font color=orange>[okay]</font></b>
</font>
<font color=Maroon><b><i>Truth and Regret</i></b></font>
<font color=black>This has a lot going for it, but the distorted vocal makes that little crease between my eyebrows and I can't wait for that part to be over. The vocoder effects in general, though are kind of fun. Someday over-processed vocoder and auto tuning is going to be used as this nostalgic techniques to evoke the early 2000's. <b><font color=orange>[okay]</font></b>
</font>
<b>No [good] songs in this fight at all. I had very low expectations with a title like this, though. If I were a votin' man, I'd vote for Doscientos.</b>
Here's my record label page thingie with stuff about me if you are so interested: https://greenmonkeyrecords.com/jim-of-seattle/
- furrypedro
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- Mixtral
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truth and regret
This seems like a cookie-cutter approach to this genre, and the vocals seem really loud, especially in the chorus. The effect is grating.
those meddling kids
I started to groove on this about halfway through. All of a sudden I got it. I think the rhythm seems a little weird for me most of the way through, but I like your voice.
steve durand
Even though I’ve got two sons, I’ve never let kid’s music in the house. As far as kid’s music goes, this is clever enough, and a good take on the title.
blue lang
For all your trash talking, this song is a real piece of crap. This is what you’re going to battle Melvin with? This?
soylent spuds
Nice intro. “The dance craze sweeping the nationâ€
This seems like a cookie-cutter approach to this genre, and the vocals seem really loud, especially in the chorus. The effect is grating.
those meddling kids
I started to groove on this about halfway through. All of a sudden I got it. I think the rhythm seems a little weird for me most of the way through, but I like your voice.
steve durand
Even though I’ve got two sons, I’ve never let kid’s music in the house. As far as kid’s music goes, this is clever enough, and a good take on the title.
blue lang
For all your trash talking, this song is a real piece of crap. This is what you’re going to battle Melvin with? This?
soylent spuds
Nice intro. “The dance craze sweeping the nationâ€
Punk rock is for children. Grab a six-pack at Half-a-Dozen Records.
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- Llama
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Yeah, it's intended purpose is to tune up the vocals to the correct note. I don't normally use this for that purpose. I use the free GSnap... don't know how it compares to AutoTune. I usually sing with lots of vibrato, so it tends to mess up my vocals rather than fix them. But for this song... it was dysfuncional subject matter, so, dysfunctional vocals sounded right.jeff robertson wrote:Is that what "autotune" sounds like? My god, the things I'd read about it make me think it was a much more subtle effect than that, like it made you sing in tune so nobody would ever know you didn't hit all the right notes. I've heard this effect in many, many songs, but I always thought it sounded like a vocoder. It works in this song as an effect. If this is what autotune sounds like, then singers who don't need it have nothing to worry about.Kweep wrote:Truth and Regret - I'm not usually a fan of autotuning vox but it works here... just wish you would've dropped the auto-tune during the distorted vocals.
The song I did this week, first of all, was recorded at about 3 in the morning. I live at college, so I gotta watch the volume. I added the distortion so that I could ramp up the vocals... make it seem like I was singing louder, even though I wasn't. And, yes, that "grating" thing y'all are talking about... that was intentional. I only did two takes on this song, and all the effects were added live, as I recorded it, so I couldn't go back and change anything. Overall, this song was about 3 hours from conception to completion, so... I'm fairly satisfied with the result. If I would have had a few more hours in the middle of the day, I would have done the vocals somewhat differently... probably toned down the distortion and the vocal tuning.
_-=Truth_-_&_-_Regret=-_
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- Claude
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It was intended to be a bit satirical. The cheerful music vs. the harsh lyrics. Of course I realize it wouldn't have been on Sesame Street. With lyrics like "Dead fish corpses rotting in the sun" it was never intended to be.Jim of Seattle wrote: <font color=Maroon><b><i>Steve Durand</i></b></font>
<font color=black>Nice channeling of Joe Raposo and Kermit, of course. Raposo's genius was that he could write songs like this without coming across too bitter or angry, which this one does. It's all good, but this song wouldn't have made it on Sesame Street because of the bile in the lyrics. <b><font color=orange>[okay]</font></b>
Thanks for the review.
Steve
"Writing about music is like dancing about architecture" -Unknown
"Seems to me this is the point of Songfight" - Max The Cat
"Seems to me this is the point of Songfight" - Max The Cat
well, of course, but other than that.
is he saying that my stink wasn't a song, which, OK, it's not great but it's pretty song-like, or that i just can't write or haven't written a song in general, which, being Leaf, is the more likely insane pop-off.
or.. i guess it's even possible that he didn't know i submitted this week and was saying i should get in the ring and get laughed at...
cuz you know.. it's Leaf..
is he saying that my stink wasn't a song, which, OK, it's not great but it's pretty song-like, or that i just can't write or haven't written a song in general, which, being Leaf, is the more likely insane pop-off.
or.. i guess it's even possible that he didn't know i submitted this week and was saying i should get in the ring and get laughed at...
cuz you know.. it's Leaf..
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- Alpaca
- Posts: 129
- Joined: Fri Jan 20, 2006 10:14 pm
I see your cryptic messages.blue wrote:well, of course, but other than that.
is he saying that my stink wasn't a song, which, OK, it's not great but it's pretty song-like, or that i just can't write or haven't written a song in general, which, being Leaf, is the more likely insane pop-off.
or.. i guess it's even possible that he didn't know i submitted this week and was saying i should get in the ring and get laughed at...
cuz you know.. it's Leaf..
- furrypedro
- Grok
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- Nigel (spOOn) Clements
- Mixtral
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- Claude
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- rone rivendale
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