Yes - that is something I have often wondered about. Is it because rock'nroll is an American medium that we all take on American accents when singing it? Or is there a sort of "rock and roll" accent that has sort of evolved? It is most noticable to me when I hear Scottish singers (hi StueyM!) When talking - they sound like they are trying to gargle a mouthful of sand - but their singing accents are the same as mine.Billy's Little Trip wrote: By the way, why is it that I can hardly understand you guys from that part of the world when you talk, but you sing so clear? The only accent I hear is when you say "bahstids" .
It is something I often have to think consciously about when writing - "do I sing this as I would say it?...or change the vowel sound? It is an unfortunate fact of life that the Australian accent is basically a series of mangled and flattened vowels (some say developed by trying to speak without actually opening the mouth, thus minimising the risk of swallowing flies). There are some Australian singers, mainly country singers (ie John Williamson) who seem to go to any lengths to avoid any "American" type sounds in their songs - resulting in quite a lot of unpleasant nasally sounds, particularly at the end of lines on extended notes.
My main issues come with the broad "a" sound we use. Where Ameicans say "ass", "glass", "bastard" etc. - I say "arse", glarse" and "barhstid". In the song you mention - obviously my natural accent is appropriate because of the nature of the song. But I often play very "American-style" music like surf-rock and sixties-style pop - where switching to American pronunciations seems more appropriate. (Think of the Rolling Stones' "You Can't Always Get What You Want" - I'm sure Mick Jagger would never pronounce the word "can't" in speech the same way he sings it)
Do English fighters find yourselves with the same dilemna?