Mixing for the good of all
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- Orwell
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Here's a pretty good free dynamics processing VST that can do upwards compression (same as parallel compression, right des?) and upwards expansion:
http://www.platinumears.com/ (IQ4GUI)
You can use a combination of the two to simultaneously get the extra fatness of a compressed sound and still have a wild dynamic range.
-craig
http://www.platinumears.com/ (IQ4GUI)
You can use a combination of the two to simultaneously get the extra fatness of a compressed sound and still have a wild dynamic range.
-craig
"Starfinger for president!!!" -- arby
"I would 100% nominate you for the Supreme Court." -- frankie big face
"I would 100% nominate you for the Supreme Court." -- frankie big face
Hmm, I'm not sure.starfinger wrote:upwards compression (same as parallel compression, right des?)
I think of parallel compression as a mix of a dry track with a heavily compressed version of itself. The dry track preserves the dynamics in the recording, and the squashed track fattens things up.
Hometracked: Tips for better home recordings
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- Orwell
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yeah..that's the same idea. it's called upwards compression, because the dynamic range is still squashed by doubling up the "quieter parts", thus raising them while leaving the peaks intact.
-=craig
-=craig
"Starfinger for president!!!" -- arby
"I would 100% nominate you for the Supreme Court." -- frankie big face
"I would 100% nominate you for the Supreme Court." -- frankie big face
- Billy's Little Trip
- Odie
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I just read the notes on your link, it sound interesting. Although I'm really trying to learn this stuff with out fancy "do it for you" type equipment, but I do like to play with these plug ins to see what they are trying to achieve and the pre sets get me in the ball park. But so far, every plug in I've used, the factory pre sets don't appeal to me. I don't know if I'm just nuts, or my playing and recording style just doesn't fit, but what sounds good to me seems to be WAY off from the pre sets.starfinger wrote:Here's a pretty good free dynamics processing VST that can do upwards compression (same as parallel compression, right des?) and upwards expansion:
http://www.platinumears.com/ (IQ4GUI)
You can use a combination of the two to simultaneously get the extra fatness of a compressed sound and still have a wild dynamic range.
-craig
How do I download the IQ4GUI? I couldn't find a D/L link on that page. The web address on the page doesn't offer the IQ4. I'd really like to play with this plug. Thanks Star.
- Billy's Little Trip
- Odie
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you don't need that particular plugin to get the effect - make a 2nd copy of all of your drum tracks, compress the tar out of one set, leave the other set uncompressed.
for extra credit, create two group tracks and put the compressed drums on one and the uncompressed drums on the other.
this gives you the extra benefit of "fattening" the drums by double-tracking as well as the parallel compression effect.
for extra credit, create two group tracks and put the compressed drums on one and the uncompressed drums on the other.
this gives you the extra benefit of "fattening" the drums by double-tracking as well as the parallel compression effect.
- Billy's Little Trip
- Odie
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http://en.wikipedia.org/wiki/Parallel_compressionBilly's Little Trip wrote:use the compressed drums as the main and the uncompressed to adjust into the mix to recover the lost dynamics? Tell me more of your thoughts on mixing, using your technique.
that's the whole idea of it. it's not my technique, it's .. crap, now i don't remember who got credit for it.
i'm still 50% convinced most of the benefit comes from doubling the tracks more than anything.
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- Leaf
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I thought with the new york trick you were supposed to run the main buss (uncompressed) at a optimum gain and roll teh compressed version up underneath it until you heard the sound punch up.
Maybe I got that wrong... I dunno. Plus, I didn't check Blue's link, this is in response to your question there Billy.
Maybe I got that wrong... I dunno. Plus, I didn't check Blue's link, this is in response to your question there Billy.
samesame.Leaf wrote:I thought with the new york trick you were supposed to run the main buss (uncompressed) at a optimum gain and roll teh compressed version up underneath it until you heard the sound punch up.
Maybe I got that wrong... I dunno. Plus, I didn't check Blue's link, this is in response to your question there Billy.
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- Orwell
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- Billy's Little Trip
- Odie
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No you had it exactly right. Here, I put a sample together: Parallel compressionleaf wrote:Maybe I got that wrong...
Hometracked: Tips for better home recordings
- Billy's Little Trip
- Odie
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Holy crap des, this site is awesome. I've been poking around on it for the last hour and a half.deshead wrote:No you had it exactly right. Here, I put a sample together: Parallel compressionleaf wrote:Maybe I got that wrong...
Am I rockin' hard, or hardly rockin'?