I'm not responsible for what I say (When The Drugs Kick In reviews)
- Pigfarmer Jr
- DALL-E
- Posts: 2401
- Joined: Sat Mar 21, 2009 6:13 am
- Instruments: Guitar
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- Submitting as: Pigfarmer Jr, Evil Grin, Pork Producer, Gilmore Lynette Tootle, T.C. Elliott
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- Location: Columbia, Missouri
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I'm not responsible for what I say (When The Drugs Kick In reviews)
... okay, that's not really a good excuse.
Evil Grin bandcamp - Evil Grin spotify
T.C. Elliott bandcamp - T.C. Elliott spotify
"PigFramer: Guy and guitar OF MY NIGHTMARES." - Blue Lang
T.C. Elliott bandcamp - T.C. Elliott spotify
"PigFramer: Guy and guitar OF MY NIGHTMARES." - Blue Lang
- Pigfarmer Jr
- DALL-E
- Posts: 2401
- Joined: Sat Mar 21, 2009 6:13 am
- Instruments: Guitar
- Recording Method: Br-900CD and Reaper to mix
- Submitting as: Pigfarmer Jr, Evil Grin, Pork Producer, Gilmore Lynette Tootle, T.C. Elliott
- Pronouns: he/him
- Location: Columbia, Missouri
- Contact:
Re: I'm not responsible for what I say (When The Drugs Kick In reviews)
The Lyric page for fight "When the Drugs Kick In" is operational. Please proceed to the head of the queue and add the appropriate information:
viewtopic.php?t=12568
viewtopic.php?t=12568
Evil Grin bandcamp - Evil Grin spotify
T.C. Elliott bandcamp - T.C. Elliott spotify
"PigFramer: Guy and guitar OF MY NIGHTMARES." - Blue Lang
T.C. Elliott bandcamp - T.C. Elliott spotify
"PigFramer: Guy and guitar OF MY NIGHTMARES." - Blue Lang
- Lunkhead
- Assistant
- Posts: 8286
- Joined: Sat Sep 25, 2004 12:14 pm
- Instruments: many
- Recording Method: cubase/mac/tascam4x4
- Submitting as: Berkeley Social Scene, Merisan, Tiny Robots
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- Location: Berkeley, CA
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Re: I'm not responsible for what I say (When The Drugs Kick In reviews)
A late BSS song has been added to the fight.
- Heine
- Alpaca
- Posts: 182
- Joined: Sat Nov 29, 2008 2:25 pm
- Instruments: Guitar, Bass
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- Location: Hannover, Germany
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Re: I'm not responsible for what I say (When The Drugs Kick In reviews)
When The Drugs Kick In - Reviews
Some fine stuff here. Interesting how some of us come through these Christmas days…
Berkeley Social Scene:
10 minutes! That's what I call a trip! As a proghead I appreciate longer stuff and improvising. Hazy vocals. Very psychedelic, much reverb. It floats and floats. Personally I think that it would profit from a solid chorus I could cling on to about every 3 or 4 minutes. The repeating 'When The Drugs Kick' phrase gets too lost within all that hazy floating. But anyway it's a cool approach.
The Freezing Hands:
I love this wavy/punky riff. I really love when the chorus kicks in. Sounds a bit dangerous like Glenn Danzig. This might be my favorite this time. Although I don't like the muddy mix. It lacks some punch and some clever ideas seem to be buried within the mix. (I don't know if I can do any better but if you like providing me your stems then I would love to try!)
heine:
Musically it starts off with a bass/drum line in Simon Gallup/Boris Williams style. Maybe it becomes monotonous after a while. But it never ends to keep pushing forward.
Lyrically… well…, it may be a bit preachy but the chorus deals with something Johnny Rotten said about drugs. No matter what he tried it always ended feeling bad. So, he stopped trying, saying something like: 'I want to use drugs. I don't want to get used by them.' The verses (especially after the first chorus) are about the experiences I had when I was working for the social welfare department many years ago. The hardest part was having junkies/alcoholics as clients. When they came clean/sober to my office all of them were lovable, tender, gentle souls. When they came stoned/drunk all of that was gone, like they were a shout-out straight outta hell. You could watch them committing a slow suicide. And all of them had a history why they stepped into that trap. (Abusive parents e.g. …) It still haunts me to this day. I totally understand Neil Young singing in Needle and the damage done: "I sing the song because I love the man; I know that some of you don't understand …"
High Vines:
Nice. The harmonies remind me of some first half of the 70s music. The solo/break-part is genius. But I can't get the rhythm together; starting with some kind of shuffle (on guitar) but when the drum machine kicked in, playing straight, it feels like setting a brake on the flow of the song. Is it only me who feels this way? So, why not record two versions? One shuffling loose and one for the charts with a straight drum beat throughout.
(There's only one song that comes into my mind where straight and shuffled parts blend/switch into each other nicely: the 'Do you have a clean mind' vocal part of Gracious' 'Heaven'.)
Jim of Seattle:
Same concept as last times. Musically quite mellow (and kind of a pleasing trip). What annoys me a bit is the synthetic sound of the strings (which later remind me more of an oboe). I'd love to hear that with real instruments.
The John Benjamin Band:
This one is funny! There should be a lot more handclaps within the chorus (and maybe some chatting noise in the background) to pretend a big party going on. A nice singalong with a melody that sticks in my head, now!
Johnny Cashpoint:
In my head I hear this one as a funny punk rock song. So, I'd prefer a straighter beat, maybe a bit faster. More guitars would do it for me. I don't know if all of them were sampled. Some sounds (maybe a sax?) sound too artificial. So, I keep waiting for a Green Day cover of this one...
The Pannacotta Army:
Wow! Performance and production are superb! Very tasteful from start to finish! So, this one is also one of my favorite songs this time.
As a non-native speaker I am not too sure if I dug the lyrics completely this time. So, it is about you caring about your girl who took some drugs?
I just can't figure out the hows and whys.
Some fine stuff here. Interesting how some of us come through these Christmas days…
Berkeley Social Scene:
10 minutes! That's what I call a trip! As a proghead I appreciate longer stuff and improvising. Hazy vocals. Very psychedelic, much reverb. It floats and floats. Personally I think that it would profit from a solid chorus I could cling on to about every 3 or 4 minutes. The repeating 'When The Drugs Kick' phrase gets too lost within all that hazy floating. But anyway it's a cool approach.
The Freezing Hands:
I love this wavy/punky riff. I really love when the chorus kicks in. Sounds a bit dangerous like Glenn Danzig. This might be my favorite this time. Although I don't like the muddy mix. It lacks some punch and some clever ideas seem to be buried within the mix. (I don't know if I can do any better but if you like providing me your stems then I would love to try!)
heine:
Musically it starts off with a bass/drum line in Simon Gallup/Boris Williams style. Maybe it becomes monotonous after a while. But it never ends to keep pushing forward.
Lyrically… well…, it may be a bit preachy but the chorus deals with something Johnny Rotten said about drugs. No matter what he tried it always ended feeling bad. So, he stopped trying, saying something like: 'I want to use drugs. I don't want to get used by them.' The verses (especially after the first chorus) are about the experiences I had when I was working for the social welfare department many years ago. The hardest part was having junkies/alcoholics as clients. When they came clean/sober to my office all of them were lovable, tender, gentle souls. When they came stoned/drunk all of that was gone, like they were a shout-out straight outta hell. You could watch them committing a slow suicide. And all of them had a history why they stepped into that trap. (Abusive parents e.g. …) It still haunts me to this day. I totally understand Neil Young singing in Needle and the damage done: "I sing the song because I love the man; I know that some of you don't understand …"
High Vines:
Nice. The harmonies remind me of some first half of the 70s music. The solo/break-part is genius. But I can't get the rhythm together; starting with some kind of shuffle (on guitar) but when the drum machine kicked in, playing straight, it feels like setting a brake on the flow of the song. Is it only me who feels this way? So, why not record two versions? One shuffling loose and one for the charts with a straight drum beat throughout.
(There's only one song that comes into my mind where straight and shuffled parts blend/switch into each other nicely: the 'Do you have a clean mind' vocal part of Gracious' 'Heaven'.)
Jim of Seattle:
Same concept as last times. Musically quite mellow (and kind of a pleasing trip). What annoys me a bit is the synthetic sound of the strings (which later remind me more of an oboe). I'd love to hear that with real instruments.
The John Benjamin Band:
This one is funny! There should be a lot more handclaps within the chorus (and maybe some chatting noise in the background) to pretend a big party going on. A nice singalong with a melody that sticks in my head, now!
Johnny Cashpoint:
In my head I hear this one as a funny punk rock song. So, I'd prefer a straighter beat, maybe a bit faster. More guitars would do it for me. I don't know if all of them were sampled. Some sounds (maybe a sax?) sound too artificial. So, I keep waiting for a Green Day cover of this one...
The Pannacotta Army:
Wow! Performance and production are superb! Very tasteful from start to finish! So, this one is also one of my favorite songs this time.
As a non-native speaker I am not too sure if I dug the lyrics completely this time. So, it is about you caring about your girl who took some drugs?
I just can't figure out the hows and whys.
www.heine-musik.de - Stark autark! - Keller Kollektiv - Vince Link - "Paragon of Teutonic Gloominess" - Elaine DiMasi
- Lunkhead
- Assistant
- Posts: 8286
- Joined: Sat Sep 25, 2004 12:14 pm
- Instruments: many
- Recording Method: cubase/mac/tascam4x4
- Submitting as: Berkeley Social Scene, Merisan, Tiny Robots
- Pronouns: he/him
- Location: Berkeley, CA
- Contact:
Re: I'm not responsible for what I say (When The Drugs Kick In reviews)
When the drugs kick in, people vote for The Pannacotta Army. (And they win!)