Don't Think I Don't Like Your Song (or Miss You reviews)
- Spud
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Don't Think I Don't Like Your Song (or Miss You reviews)
If I say I hate it, I'm just trying to be helpful, <b>you damned pussy</b>.
[Ok, I added that last bit --Admin]
[Ok, I added that last bit --Admin]
Last edited by Spud on Fri Jan 27, 2006 12:20 pm, edited 1 time in total.
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Re: Don't Think I Don't Like Your Song (or Miss You reviews)
Hey Spud. I'm a former Seattle-ite also. This song was my first attempt at something a little more "Georgia".Spud wrote:If I say I hate it, I'm just trying to be helpful, <b>you damned pussy</b>.
[Ok, I added that last bit --Admin]
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- Niveous
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Yes they did. Alphabetical order.kill_me_sarah wrote:Yeah, I didn't have any delusions of grandeur on this one, but you guys didn't have to stick me directly after Seaver in the stream. LOL
"I'd like to see 1984 redubbed with this in the soundtrack."- Furrypedro.
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What did I do wrong on my sound? It sounded fine until I heard how quiet it was in comparison w/ the others in the stream. Is there a standard?jb wrote:Dear Mr. Glossy, if you don't put some sound in my right ear I'm going to shoot you in the t'ain't. Ok there, but still, you just barely dodged the bullet this time.
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Yipes. I sense CMYK, or at least RGB in the near future. Maybe it was just the damn extension?
roymond.com | songfights | covers
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
Commercial mastering engineers aim for an RMS level around -12dB.kill_me_sarah wrote:Is there a standard?
The average on Songfight is probably higher than that. The last 30 seconds of the Uncle Boltoph tune is at about -9dB RMS.
How to get yours louder depends on what system you recorded with. In general, you simply turn the volume up, but use a compressor or limiter to make sure you don't clip the peaks.
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I say go for "Bump Me Off Sarah". Speaking of names, why isn't "Lonbobby featuring Anita" known as "15 Years"?kill_me_sarah wrote:Dang, gotta change my band name.
"I'd like to see 1984 redubbed with this in the soundtrack."- Furrypedro.
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Wow, RMS normalization hits Songfight. Now it gets interesting. -12 is pretty hot, which in my opinion is why so little dynamic range remains in modern pop/rock. Even spoken word is produced to -15 for radio. I think that may be a better target. I'm still tweaking by ear, since hitting these targets without the expensive hardware is liable to skew sonic fidelity.deshead wrote:Commercial mastering engineers aim for an RMS level around -12dB.kill_me_sarah wrote:Is there a standard?
The average on Songfight is probably higher than that. The last 30 seconds of the Uncle Boltoph tune is at about -9dB RMS.
How to get yours louder depends on what system you recorded with. In general, you simply turn the volume up, but use a compressor or limiter to make sure you don't clip the peaks.
But I am curious about your RMS tools, Des. I use Ozone to normalize and RMS Buddy to monitor. Still getting used to it.
roymond.com | songfights | covers
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
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Martin Chitty- I know that voice! You're "Roy Castle"!
"I'd like to see 1984 redubbed with this in the soundtrack."- Furrypedro.
NUR EIN!
X-Tokyo
Lucky Witch and the Righteous Ghost
NUR EIN!
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Ya, I totally agree. My two favorite articles on the subject:roymond wrote:-12 is pretty hot, which in my opinion is why so little dynamic range remains in modern pop/rock.
The Death of Dynamic Range
Over The Limit
According to that second one, the Rush albums from the late 70s ran at about -18dB .. That's a lot of headroom!!
I use Ozone too, and sometimes the Waves plugins. Ozone's dithering sounds cleaner to me, and the limiter is definitely more transparant than the L2. But the Waves C1 compressor is (to my ears, anyway) a lot cleaner than the Ozone dynamics stuff, so if the master mix needs compression, I'll go that route. (And the L2 has its place .. When you want the edgy sound.)roymond wrote:But I am curious about your RMS tools, Des.
I don't use anything fancy to monitor .. Just the Sonar meters (and lots of A/B listening comparisons to commercial mixes.)
- roymond
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Now that I've listened to yours, sounds like you simply need to do a peak normalization to bring the wave peaks up to -.2. Every sound editor can do this. Your level is simply weak, those squiggly lines need to fill more of the window.kill_me_sarah wrote:What did I do wrong on my sound? It sounded fine until I heard how quiet it was in comparison w/ the others in the stream. Is there a standard?
But a fun song and otherwise the sound is fine.
roymond.com | songfights | covers
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
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- jeff robertson
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alphabetical order, my ass...
It's ASCIIbetical order, and Leaf is first because the MP3 starts with a capital "L". The song does rock, tho.
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Re: alphabetical order, my ass...
Reload the page and see who's firstjeff robertson wrote:It's ASCIIbetical order, and Leaf is first because the MP3 starts with a capital "L". The song does rock, tho.

roymond.com | songfights | covers
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face
"Any more chromaticism and you'll have to change your last name to Wagner!" - Frankie Big Face