Desperado Video Juegos: haha, I got that Rone thing too, harsh comment but it was only for a second. At points this sounds like an okay track but the vocals take some of the professionalism out of it, I'm not one for taking yerself too seriously or nuffink but the track sounds pretty neat and it switches it up a bit and then it's just turned into this continuous rambling mess. You should make another element (vocals, or add another instrument) follow and try and emphasise the structual changes more. I think that would've given it more impact.
Sp00ns: Not bad for what it is. the electro-house beat is acutely not my thing. but there's some nice rhythmic and pad patches in there and the production sounds pretty good and it holds my interest satisfactorily. Some of the samples are good, but I feel like the impact is taken away when you use them repeatedly. I think with stuff like this you've just got to trust/hope that people will listen enough times for them all to sink in rather than battering us with them in one sitting.
Fish Sausage: Interesting panned beats. Crazy video, though I've not seen Eraserhead so I don't know if it was your editing or that film itself that made the video seem fucked up (though I strongly suspect the latter). The vibe built up in some of this is quite good in a sinister industrial type way but it's disrupted too abruptly by the section changes. they don't flow at all which is a shame.
Jolly Roger: This is quite a good song. sticks with a fairly safe formula but it works and the dynamics are well done, all the changes come when it feels like they should and it holds together well. Good drumming, guitars, and the singing does the job though it could be just a tiny notch louder. I think that with a few more tricks and practice recording and playing you're a gnats pube away from some killer tunes. Personally I'd like to hear you to go mathy or a bit Stone Roses or something. either way, good song.
Jordan C-vers: yup, predictably good....you bastard

) Brighten the Corners type stuff. I think the reason all your stuff sound the same is that it always slips into the same groove, and it's always major key so regardless of the structure or melody they have this common vibe running through them. I do love all the bits though, like the dualling guitars chiming away against each other.
Kanahele: Those blippy modulating noises at the beginning are cool. When it starts to build up this makes me think of Muse. Not bad, sounds like a Muse outro. The piano line sounds so swirly it's a bit hypnotic.
KillerD: beats are cool but thin. The vocals need to be more consistent in terms of volume; most of the time it's kinda difficult to hear the words and then it gets really aggressive and clips. You should get a) a 15$ popshield b) a compressor (check 'Help and How to' for free plug-ins) c) closer to the mic, and then back off when you talk louder. Don't go gospel, thanks. I'd like to hear what you can do with a bit more time
MMMC: de-ess the vocals, it's occaisionally painful. good flow, some lyrics are great. The track itself is pretty neat and the samples are really well implemented (apart from that Yoda one). loses its energy when the second vocalist comes in, I guess you schmoked too much by the time it was their turn to go. Also, I don't like the reverb you used, it doesn't add any space to the mix it just makes the vocals slightly less intelligible (but not significantly so).
Mr Lostman: Sunnydale, Ohio? is that your real band. This is Jaunty and yet melancholy which is always an acheivement, although there's an awful lot of that ska-type indie stuff going around the UK at the moment so I have to admit I'm kinda biased against it. It's sounds alright, but it feels like it's not your song cos I've heard it so much. That said, this is a cool song and I like the chorus.
Next bedtime: This track's strange - I'm actually digging it quite a bit, and I like all the instruments but it all sounds a bit too lo-fi, like there's no beef in the drums and your voice sounds like it's coming through a shitty radio, it could probably use a bit less high EQ.
Paco: any song with "you won't like how your oven will behave" and "keeping things moist" in the lyrics is worthy of my time. I've also got a weakness for high pitched backing vocals so you're officially taking advantage of my ears with this song. The song itself isn't blowing me away, but it's keeping me interesting and the playing and mix is the best I've heard this fight.
Phunt; don't tell: we can always rely on thee to take a different angle on the title. The one thing that bugs me slightly about phunt (and this may be me being boring) is your phobia of beats. I like the textures and tones in your aural smorgasboard but I don't walk down the street when I want to hear sounds, I put on some music. I wish that instead of taking musical elements and making a random sound field out of them, you took everyday sounds and gave them a rhythm or something, no matter how ramshackle. I listened really hard to try and some kind of theme regardless of how buried or skeletal it was, but if it's there i didn't find it. The tracks always hint at something that I can really get my teeth into and think "wow", but I always end up thinking "interesting.......sigh, maybe next time"
Poison Sparrows: ah! so they finally see the light of day. and STM on vocals! an overdue collab I think and this is sounding pretty good so far. I'm kind of getting tired of hearing the words 'influential film' in this song. Musically it's good, if not inspiring, I like when melvin starts singing as that's when the hook of the song really grabs you. I wouldn't expect anything less than uber-chunky guitars from a band with you two in. cool
Sausage Boy: This isn't doing much for me. Just too much synthetic cheese, an underdeveloped structure, and lacking a strong enough melodic element. Now I think of it, there's lots here which remind me of my track this week in terms of the sounds. I think a really strong vocal could have salvaged it perhaps.
Seamus Collective: Earnest, well played, nice drumming. couple of dodgy notes. Supremely boring
The Recial Spelatives: This sounds exactly like what I expect from special relatives. Behind the lo-fi mumbly guitary noodles is quite a nice song with a sense of fun and I love the way you decided to end.
Stelloscuro: This is a classic example of me not liking something despite not being able to find fault with it. That's not to say I dislike it, and technically it's good but I would have done a few things differently. Firstly, change the drum pattern after you feel it getting boring (for me that was very soon, but before the halfway mark wouldn't be a bad idea)
Daddy Bop: for some reason this didn't work in the stream so I'm listening to it last and I'm really sorry but it's suffering because of that. It's fine really, you did well, and I really like some of the janging guitar bits that pierce through the mix on occasion, but I'm out of patience and truth is this song's doing very little for me musically. Some of the lyrics are pretty cool, I like "how did Pulp Fiction lose to Forrest Gump?"
TMK: I did the old "mix til it sounds right, then crank the vocals a couple of dB's" thing and I should've stuck with the original mix; as Treachjuris pointed out these are a bit loud. I forgot to mention one of my favourite directors in that other thread so I wrote this weeks song about him.
considering there was quite a lot of stuff here I wasn't blown away by anything. I haven't voted for myself for a good few months so....hmmmm, Jordan and Paco are closest to convincing me not to be a smug vain twat