3-song fight, and still variety? Neat!
J$ / Sarf
Coolie: Novelty points for crazy vocal processing, reminding me of a HInc track for some reason. Different (but Webster-approved) pronunciation of "brioche". Crazy (and dirty, or is that just my mind?) lyrics. I like the groove, seems kind of spy-musicy. A stranger electronic style, but there's still substance to the instrumentation and lyrics to hold balance. Favorite lyric: "spot that needs squeezing".
Frowny: Somewhere between the song length and the style, I'm not left remembering much besides "boy, that was weird". My roommate made me turn it off after repeating 20 times or so.
Misc: After repeating the song a few times, I'm compelled to squeeze everything in sight. Kind of like how hours of Carmageddon compel me to drive left of the yellow line (in the USA).
Adam Dachis
Coolie: Banjo novelty points. I like the light drum/bongo samples. Lighter song isn't hurting my fatigued ears. Great voice, probably the strongest link in the tune. Clear and interesting-sounding lyrics, from what I can remember.
Frowny: Instrumentation isn't too varied (particularly percussion and banjo lines). Piano is more interesting, but doesn't make up for the remaining population of loop city. Seems like a lot of verses and no chorus, giving the same intensity to the whole song.
Misc: My advice (however unreliable) would be to listen to the song with your vocals muted, and ask yourself "Is this still interesting to me? Can the average listener still identify when I switch verse/choruses? ", possibly recording varied lines in place of your loops. Or make new loop patterns for each verse... something! This has potential, just needs more development. Also, I'm awful at piecing lyrical meaning together in my head; please add your lyrics to the
lyric thread if you haven't already, I'd like to read them.
The Cow Exchange (me) featuring
Puce (Puce)
Coolie: Puce lent his rapsta' voice to it. I don't know how he gets such a great sound but I want to import it, pending government approval. Favorite lyric: "nasty hoagie". Favorite non-rap moment: drums/guitar at "but I'm not givin' in"
Frowny: Mix is a bit loud ("louder than my CDs", as Tawny gently put it), hard to hear vocals in parts. Intro guitars have poor timing, and outro "bake it myself" comments are too harsh, probably should be quieter and more under-my-breath. First verse vox need a retake badly. Too much lyrical emphasis on pronunciation/grammar.
Misc: I accept all lyrical blame on the rap part (yes, it purposely calls for brioche to be pronounced wrong - but look at all the fun rhyming you can abuse with it!). Cow Exchange fan (note the singular form), can you find the line referencing a Cow Exchange AAD tune? Also, J$, I'm really glad to see you in this fight: the S&M clip in this tune was meant especially for you, responding to your "Hope You're Okay" review. I hope to re-record (or perform live) Hope You're Okay per your suggestion in the next year.
I'm squeezing J$'s radio button this week.