A last meal and a cigarette (I Know My Rights Reviews)

Discuss upcoming, current, and previous song fights.
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Rik
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Post by Rik »

This week, because of the large number of entries, I decided to try Jim of Seattle's approach and record reviews while I drive. Not so much for everyone else's benefit as for my own. The idea was to kind of make notes that I could elaborate on in my written reviews later. I did them JoS style, like I was speaking to each of you just in case they came out coherent enough to post for all. Well, they came out pretty rough but I'll post them anyway with written reviews to follow. You can listen or read, it's all about the same.

Bearded Clam Duo
Ben Foxworthy
Bjam
Caravan Ray
comfort
Exoticorn
Hoblit
Jim Tyrrell
King Arthur
Melvin
obscurity
Pringle Can
Pumpkin Buzzard
Roymond
Southwest Statistic
The Hip Cola


Reviews for I Know My Rights

Bearded Clam Duo - This is the perfect intro for this set. Some may not like it, and I guess technically it's not a song, but I found it funny and a nice way to start this week's fight. This sounds like a typical trip to the music store, the clown plunking away at Stairway (something I used to back in 5th grade), another guy showing off his drumming skills nearby. And everyone increasing the volume in order to compete with each other. You missed the tone-deaf guy trying to tune a guitar, and the background (crowd) noise was a bit too much. Bonus points for telling off the salesman with a reference to SongFight!

Ben Foxworthy - Very nice, great first entry for SongFight! Props for posting reviews right away, it's appreciated by all. Excellent guitar and bass work, really solid stuff. I would like to hear a little more definition on the bass, not sure if adding a little high EQ would solve that, but it would be great to bring out the bass a bit. Personally, I like your voice, high and clear with good enunciation. The verses are excellent, but I think you should get a little nastier with the vocals on the prechorus and into the chorus. Great song and already on the boards, this is a sign of good things to come. Voteworthy

Bjam - Sega! Me, I'm a Nintendo man but that would have been harder to fit into the song. I really like your songs, and yes that includes the stuff in the archives. I love the straightforward acoustic stuff, nothing over-produced just the song, take it or leave it. I tried for that this week, but couldn't pull it off and had to add a second part to keep it interesting. You have quite the song writing talent for someone so young, at 15 I was playing Ozzy and Black Sabbath covers in a crappy garage band. Great take on the topic and a nice song, not your best but still good. Note: Muffed chords in the bridge have been overlooked on account of your short time playing guitar

Caravan Ray - Another week, another genre, awesome. Okay, the talking doesn't get it for me, sounds like Crocodile Dundee joined a band. :) The first verse, between the talking parts, sounds like your going for something a bit heavier than what you've got. The OY!s remind me of AC/DC, probably intentional but irritating for those who don't like AC/DC. Now then there's the chorus or hook, this is what I like. It's catchy, and it sticks with you even after the song is over. In the car I couldn't make out most of the lyrics, but listening again at home they're quite clear. You're a badass! Great playing on all instruments, especially your soloing throughout the end. This is the first CR song in a style I like, very well done. Voteworthy OY!

comfort - Great intro, now where's the song? The first listen through this I thought it was a damn long intro, and must have been distracted when it went into the next song as I thought that was part of the same track. Then I realized the track number had incremented, so I went back to listen again. This is really cool, freaky stuff. As I said in the recorded review, reminds me of something you'd hear from Radiohead, which is good IMO. I guess I like it as an interlude between tracks, but I was hoping for something more.

Exoticorn - Another new fighter on the boards, this is great. This song reminds me of something (in the style, not so much content) but I can't place it right now. Nice song overall, it didn't seem to go anywhere though. The music could stand to be brought forward a bit, I liked what I could hear but I couldn't hear much under the vocals. I felt you used too much reverb on the vocals, but that's just production nitpicking. Pretty good for a four track recording, I know how hard it can be to get a good mix on those. I like the foundation of this song, you could build on it with some parts to change it up a bit and have something really nice.

Hoblit - You recorded the song, damnit you deserve a review! (Granted it doesn't mean much coming from me, but it's the thought that counts) This is nice, it's kind of mellow but I like it. The vocals start out a bit on the timid side, but drums come in and give the song a boost that cancels out the weakness of the beginning vocals. Nice break at the end of the chorus, and the harmonies beginning in the second chorus are awesome. I didn't catch the length of the song, but it seemed short or like something was missing. What, no solo? Oh well, it starts off a bit weak but it all comes alive at the end. The ending the last impression we're left with anyway, right? Voteworthy Got the [good] vote on somesongs

Jim Tyrrell - I'm not a blues man myself, but this is well done. Like I said on the recorded review, I wish I would have gone to SF Live just to see songs like this performed live. I am kind of disappointed that no live recordings have shown up yet (that I am aware of), and I would still like to hear this done with the harmonica bit. Back to the song, it's seems to be the standard blues riff with no real surprises. This song shines, however, thanks to the excellent performance and the great lyrics. You have a great voice and great timing, you do a great job of getting gritty with your singing in a few spots. An excellent production, simple and clear , and the audience bit at the end was a nice touch. I hope you got a better response in Boston. :) This is definately Voteworthy.

King Arthur - They said it couldn't (or was it shouldn't) be done, but you did it. Now, what exactly is it? I haven't taken enough music lessons in my life to be introduced to 5/4 timing. Is that just 5 beats per measure? Well, anyway, the coolness of it was wasted on me. :( Now, aside from the interesting time signature, I liked what you had going on here. All of the instrumentation was excellent, from the synth to the crazy little guitar bits to the percussion. All of it coming in and going out in different places, and keeping it interesting. Not to contradict myself, but the song itself didn't do much for me. I caught the bridge in there, but it didn't seem to impact the song that much. I would have liked a big change in the dynamics of the song at some point. Nice to listen to, and respect for the work put into this, but it just didnt grab me.

Melvin - Yeah, that's right. MELVIN. This has already gotten my vote. Halfway through the first verse I knew this was going to kick ass. You certainly didn't let me down. Killer lead guitar tone, great singing that's perfectly fit for this style music. I could really go for a full CD of this stuff. What I liked: first verse guitar only, prechorus hits on 'already broken down...', second verse bass and drums only, the ooohs, hell the whole song. What I didn't like: there's nothing from you in the archive. Okay so first entry for Melvin, thanks for the great song. Looking forward to hearing more.

obscurity - I couldn't get into this song simply due to the vocals, and that's too bad because I liked what was going on with the music. It starts out dark and haunting, great production. That acoustic guitar sounds so cool layered over the lingering synth. Then the vocals come in and just kill it for me. I've listened to this several times trying to get into it, but I just can't get past the off key vocals that sound like they're too low for your range. To make things worse, the vocals are too loud (at least in my speakers) and drown out the intricacies in the music. The music has potential, but the singing was just too bad to handle.

Pringle Can - Production can do wonders for an average song, or ruin a great song. In this case, the production makes a bad song unbearable. Okay, now that I've gotten the senseless cruelty out of the way let's move on to the constructive part. I listened to this again later, thinking that I may have been a bit too harsh on my recorded review. The song starts off well enough, I like the way you go from the drums and guitar sounding like they're being played in a garbage can to the full opened up sound. That makes for a nice intro. The overdriven vocals and the general repetitve nature of this song really ruin it. But it's short, you get points for that.

Pumpkin Buzzard - This song does nothing for me. I found the verse vocals amusing the first time around. Unfortunately, the only words I can understand are 'I Know My Rights' and that gets quite repetitive before the first 'chorus' ends. The music is all out of whack, the drums with their odd beats and off timing. As with all the songs, I listened a few times, but I really couldn't find anything good to say about it. I checked out some of your stuff on somesongs, it seems like being off-time is your trademark - that and crying. This stuff just isn't my style at all.

Roymond - This song is cool. I don't know what genre this falls under, emo-pop or something. Interesting. The music is great, I like the soloing guitar throughout. The doubled up vocals in the chorus work well, but you need a little more energy or punch on the higher notes of 'I Know My Rights'. A thought just occurred to me, the doubled voices might gain some substance and depth as an octave, or not. The drums are very cool throughout, some pretty unusual patterns that work very well in this style. I like this bit a lot. Voteworthy.

Southwest Statistic - Wow, this is just plain mean. If it weren't for Melvin you guys might have gotten my vote. Well, maybe not, too much repetitive screaming. But that is a minor distraction, overall this song is very good. Serious energy throughout. My complaints are: the kick drum, too much screaming, and the last 'Rights' and the end of each chorus. The kick drum sounds cheesy and out of place when the double kick parts go for more than a couple hits. I have a feeling that the drums were programmed due to the sound of those double kick parts. The screaming works well during the verses. The alternating singing/screaming is brutal, but the chorus/hook is too much. Maybe the screaming IKMR over the top of some singing part would make it a little less repetitive. Finally, the last Rights of each hook. Rrrrrrrrrrrights (They're Grrrrrrrreat! -Tony the Tiger) That is so overdone and cliche for the genre, don't get me started. Still, a very powerful song. Voteworthy.

The Hip Cola - This is the first I've heard of your solo work, not bad. Crickets, it's an interesting beginning. The production on this is great, I'm very impressed at how you make whispered vocals clear through the mix without boosting them above everything else. Your acoustic guitar tone is great, the crickets coming back in, and that weird sound that jumps across the room, all very cool. It took me a while to get the message of the song, then at the end it seemed like a current events lesson. Not neccessarily bad, I mean the goal of most songwriting is to elicit an emotion or a response and what better way than a story of people suffering suffering needlessly. The end did remind me of Empire a little, but that's alright. I wasn't crazy about the song, but respect is given for a powerful message. The Dali Lama would proudly vote for this :) for it is Voteworthy.

Yardboy - I am the kid who sits on the porch and watches his friends play down the street. I am the loser who isn't allowed to leave the front yard. Yeah, I am the Yardboy. The original idea here was to do an acoustic song live in honor of SF Live (which I could not attend, I'm the yardboy remember). That came out really bland and proved to me that this is a really weak song. So I added a second 'live' part playing a lead-ish guitar and singing backup. I was pretty happy with the way that came out and decided I wanted to do more, so I may come back to this style eventually. Okay, after THC's powerful message my trite little song seems silly and pointless, but I had fun doing it and damnit it's my right!


This was a great fight, lots of great songs. For me the winner was Melvin, without a doubt. Funny thing having written out reviews as well, I didn't really save much time recording the reviews. I did, however, get more familiar with all the songs. I feel like the written reviews are better because of it. Sorry to Jim if I have infringed upon the trademark JoS review style. Just an experiment, it may not happen again.
You can listen, but you're not going to like it.
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fluffy
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Post by fluffy »

Sorry about the Pringle Can thing. I was getting frustrated at my recording gear because no matter what I do it seems to totally destroy the sound of my guitar, so I decided to just make it sound assy all the way (which GarageBand makes way too easy). Which is how it sounded at SFLive anyway, because I didn't have a chance to practice it (in keeping with the spirit of the live fight) and eschewed my microcube at the performance, and also because I'm impatient and just generally suck.

The lyrics are pretty self-descriptive though. It's basically about the low bar to entry and how anything that people submit will get posted as long as it follows a few basic rules. Which the entry itself does.

On the plus side, I finally have a working copy of Logic again so I can stop blaming my tools and go back to blaming my general incompetence.
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Post by WeaselSlayer »

Me and my friend Ben are here to say what's on our minds.

Ben Foxworthy:
L - Let's see if this is foxWORTHY of my time.
B - This reminds me of a coke ad. Is this G. Love?
L - Were your eyes closed when you sang this? I don't really know what I mean by that. This is ok, competent and everything, just not that zesty.
B - I think G. Love's eyes were closed when he bought the world a coke.
L - The backup singing is actually more interesting than the main vocals.
B - Elliott Smithy.
L - Hm, yes.

Bearded Clam Duo:
L - I'm looking forward to this.
B - Is that Stairway to Heaven?
L - If I were there I would have-
B - A Shirley Temple?
L - Yes. So this is awesome yeah?
B - Are they covering fucking Nirvana?
L - Or Jimmy Cliff. Ho shit, that was Stairway to Heaven.
B - Best call eeever. And I was fucked up off of Shirley Temples. What kind of entry is that?
L - ExperiMENTALLY HANDICAPPED.

Yardboy:
L - My eyes are closed on this one.
B - He's actually typing with his eyes closed.
L - It's true, and Ben never really said that I just typed it. With my eyes closed. I'm not looking at shit man.
B - He mentioned your eyes!
L - That he did. This kind of feels like Blues Traveller minus harmonica. Which, as we know, is scarcely Blues Traveller at all.
B - I think he's more of a Traveller.
L - What:?
B - You fucked up when you just typed.
L - Yeah, I could feel it. This is spooky. But blind muisicians are kind of sexy.
B - If Yardboy
L - I'm lost, I don't know where I am in the review.
B0- aisihj8jksn d
Li8aghs9f9
B - Derka Ferka
L - Does that say Ferka?
B - Yeah.
L - Shit. This song is ok.

Bjam:
B - How do you pronounce that? Because I had a peanut butter and bjam sandwich earlier, and that would be a freaky coincidence.
L - This is very sweet. Nerd love is a very sweet thing.
B - Hey, have you ever heard of Spaceship Warlock?
L - Image
B - "Spaaaaaceship. War lock!"

SWSfeatBC:
B - Fuckin' Goonies!
L - What?
B - Sounded like... a cave in Goonies.
L - I don't care for that movie.
B - I think they had to play this song at the organ with the skeleton.
L - Were... your eyes closed when you sang this?
(B pours two small glasses of Arizona ice tea. L takes a sip pensively.)
L - The taste of lemons is prevalent, and I enjoy the heady aroma of herbs.
B - I've seen like 3 tumbleweeds roll by.

Pringle Can:
L - I'm moving this head of mine around.
B - The Killers recorded in a Pringle can.
L - Whatever, the Killers is for dilitantes. This shit's a'ight.
B - It's a'ight.
L - Bowwown.

comfort:
L - Oh I like comfort.
B - I feel like this is I don't even know.
L - Brian Eno? I don't know, this isn't as comfort as previous comfort I've listened to. But it has a kind of nice sound to it.
B - Do you like it?
L - I want to.

Roymond:
L - I'm so biased against fake drums, I'm sorry.
B - This is like new age Rocky.
L - Sylvester Stallone would get his ass told nowadays.
B - I was going to make an Everybody Loves Roymond joke.
L - Everybody does love Roymond.
B - Yeah, I just...
L - So it wouldn't be funny. A joke about it I mean.
(at this point Luke has a painful spasm in his stomach. He winces and says "ow")
B - (reads what Luke just typed) Do you?
L - Yeah. So I-
B - balls!
L - kind of-
B - I'm on a penny!
L - like this, but the syntheticness of it gets to me just a little. But I'm just snobby.
B - I'm not really fond of guitars that like... like elevator music guitar. Edgy, but just enough to close the door.
L - Like restaurant guitars.
B - Like... never mind I was going to do a Hudsucker Proxy joke.
L - Going up?

Melvin:
L - This is like. The last song but the second movement wherein the main character is pissed.
B - He gets off the elevator.
L - And his BLT is undercooked.
B - And he goes to Drive-Thru Records.
L - Hm. Yeah.
B - Sounds like New Found Glory to me.
L - The vocals are soooo much better, though. The harmonies are kind of Social Distortionny.
B - Oh shit I hit the wrong floor. Don't you hate it when you do that?
L - Who the fuck let Roymano in this bitch.
B - Hotcha!

King Arthur:
B - You remember that old medieval game?
L - Heroes of Might and Magic!
Image

Exoticom:
L - I wish you could all see the face Ben is making.
B - (still making face)
L - This is really creeping me out for some reason, I don't think that was your goal. I kind of like the vocal delivery though.
B - Yeah it's a'ight.
L - It's a'ight. Everybody used the elevator guitar this time around.
B - (makes a bad joke)

Caravan Ray:
B - I didn't know they had elevators in Australia.
L - Hahaha, what the fuck.
B - That's not a knife!
L - What the fuck!
B - He's gotta know what I'm talking about.
L - You're a dick. This song is fun and rockin' and I like it. Specially the ending.

Pumpkin Buzzard:
L - A bug flew into my neck. I'm a big fat fucking gross-ass sweaty fucking Pumpkin Buzzard fan.
B - I heart Jute Gyte.
L - Is he on this one?
B - I dunno.
L - You guys are the next Ramones. Or Father's Day.

Jim Tyrell:
L - Blues are better when the words are unintelligble.
B - And you're black.
L - Image

The Hip Cola:
L - Whoah, weird, the crickets in your song are mixing with the real crickets I'm hearing. This is creepy swamp shit. Except not anymore. Husky voice my fren.
B - I think this guy is from the swamp.
L - This is dark without trying to be, which is what's so cool- BUGS ON THE SCREEN! (A bug flies into Luke's chest) SHWAH!
B - They're everywhere!
L - Image

obscurity:
L - I'm sorry, I tried to listen to this but it was so god damn hard to find!
B - What?
L - Because their name's obscurity!
B - Oh ho ho ho!
L - Oh my god, I'm picturing a mummy singing this.
B - Looks like the melody's obscure too.
L - Sounds like, you mean.
B - Sounds like you can kick Ben's ass.
L - This is really creeping me out, I love that about it. The music's totally cheese but the vocals are like, "I'm tracing your IP address and learning things about you and soon your face will be on my face as a mask and I will get candy using you as a costume."
B - This is one fucked up elevator.
L - FLOOR 13 AN' SHIT HAWHAWHAHWHAHAHAH.
B - Remember that one time when Hannibal Lecter used that dude's face?
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thehipcola
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Post by thehipcola »

Hey Rik...thanks for the review (and everyone else who has as well)...coupla notes: I love Empire. So maybe that's subconciously worked it's way into how my ending played out...dunno...but cool!

lyrically, yah...what do you do to make a politically charged topic not politically charged? I didn't want to hit people over the head with it, but wasn't feeling my lyrics were good enough to convey what I was trying to convey. HA...so I entered questionable territory with the "ending message"...which I had hoped wasn't too overt, and wasn't too long..but it did explain things. I'm not sure I could do it any other way unless I maybe wrote another verse and used it to explain better where I was going....hmm (or a bridge maybe...), but cliche: yes..., heavyhanded...in retrospect, yah. It was a tough decision for sure. The noises in the middle are a crowed coming in, and then in the third verse, gunfire...I was trying to set the stage for political unrest and then the invasion itself..you know..danger! Yah..more dangerous territory in that it doesn't always work well using that kind of soundscapey stuff. Hopefully it wasn't too stupid. :)

all great comments everyone!!...I've tended to agree with just about all of them. I hope to do more solo stuff to explore my voice and in particlar my lyric writing, so you've all been a great help to giving me some idea of how it's working.

Thanks!
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Post by roymond »

WeaselSlayer wrote:Me and my friend Ben are here to say what's on our minds.
Best reviews ever!
roymond.com | songfights | covers
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jute gyte
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Post by jute gyte »

yeah, i'm in the pumpkin buzzard track. and heroes of might and magic is sweet.
"I believe the common character of the universe is not harmony, but hostility, chaos and murder." - Werner Herzog
jute gyte
Hoblit
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Post by Hoblit »

<b>RIK</b>

thanks, you didn't have to do that..but I very much appreciate the listen, the vote, and the comments. That was very very cool of ya.
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Post by h »

this is h from comfort.

yup, i cheated...

i wrote this complicated song, with bridges and shit and all these changes... and then i got stumped in the lyrics, because they just wouldn't fit.

people were asking me for bridges and solo parts and i guess just more complicated songwriting than what i've been doing, and so i was working hard at it, but just the titles were not appealing to me... or rather they weren't inspiring anything that made sense...

and so the day before we had to turn it in i started thinking "well.. i expect people to make some rockin songs for 'i know my rights' and it might be nice to make a breather between them." and so that's what i did. it's not a song, it's a 'cleansing of the palate' as someone mentioned.

so sure, it fails as a song, but i think it makes a pretty nice transition between the songs. judge me as you will...

h
ps... next fight i'll try a fuller song with more instruments...deal?
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thehipcola
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Post by thehipcola »

H, that's cool man. I always like your ambient-ish interludes...and putting them in that light makes sense...like a nice lemon sorbet before another course shows up. Looking forward to the more fleshed out Comfort tunes for sure....

thought...someone in a review about my track this week mentioned that the use of common phrases, or cliches was detrimental or detracted from the quality of the tune.

I was thinking about this and wondered what other people thought...(not about me specifically, but the practice of using cliches)...I know the lines I did that with, and really tried to figure out if it was lazy or intentional.... my problem with lyric writing is I'm never confident I get my point across. So I use common phrases or cliches to help ensure that at least the "common" meaning is derived and helps shape the intent of the song...

[big breath...]..so is that a bad technique in lyric writing? All you good lyricists out there...how do you view it? I think on one hand it makes sense to strive for that common understanding, but as I try to better my lyricizing, wonder if I should stay away from those "crutches".???

(maybe this a bad spot to put such a question..moderators, feel free to move this somewhere appropriate...)

Thanks!
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Post by Caravan Ray »

<b>Bearded Clam Duo</b>
This will probably be the anthem for the next generation.


<b>Ben Foxworthy</b>
Impressive guitar - vocals lack balls though. Pretty good song, I like the lyrics a lot.

<b>Bjam</b>
I've got no idea what you're talking about. Your voice sounds good as always - but I don't like the sound of the guitar, and playing a little sloppy here and there.

<b>Caravan Ray</b>
When I was a little tacker about 10 years old I totally loved the 'Aussie-Pub-Rock' sound of AC/DC, Rose Tattoo, The Angels etc. Then on telly the other night I saw Angry Anderson of the 'Rosy Tatts' on some bloody lifestyle show having his rose tattoo removed. It made me sad. And nostalgic for that little 10-year-old boy who used to like running around singing violent songs about starting fights.

<b>comfort</b>
Openings pretty good - I like the guitars - but I hate big openings - and it's all just one big opening.

<b>Exoticorn</b>
I enjoyed this - mainly for the sort of Kraftwerk-goes-emo feel to your sound, but it is a pretty good song. Good to hear another non-Ameican accent out there.

<b>Jim Tyrrell</b>
Good song, great vocals. I may just steal this song next time I play at the pub! Nothing revolutionary going on here - just a very good song played very well - and that's always a good thing.


<b>King Arthur</b>
Very nice. Love your vocals - very warm and engaging. The trumpets a nice touch, and a really nice catchy melody. The timing stuff is lost on me. Great lyrics. Possible vote

<b>Melvin</b>
I like this a lot. Good song, good vocals. Love that dischordant guitar thing. Very Weezer-y.


<b>obscurity</b>
Not doing much for me sorry. Nice deep voice - shame it's not always in tune


<b>Pringle Can</b>
I like this. Noisy and catchy. Noisy and catchy are my 2 favourite things.

<b>Pumpkin Buzzard</b>
Awesome opening! Then things go awry. Great music ruined by stupid vocals and too much effort placed on trying to sound 'edgy' seems to be a feature of Pumpkin Buzzard. It's a shame.

<b>Roymond</b>
This seems to lack the 'interestingness' of other Roymond efforts. Not really keeping my interest at all.


<b>Southwest Statistic feat. Brass Candle</b>
Not bad. I almost like this - but for some reason it's reminding me of "The Final Countdown" by Europe. I don't want to be reminded of that. The screaming lackes a bit of punch - you don't sound like your soul is tortured - just like it's been slightly inconvenienced.


<b>The Hip Cola</b>
Like the guitar and the rhythm you get going - and then this builds up in to something pretty cool. It's a great sound you get going. Unfortunately though they lyrics are really doing nothing for me. Though I am very sympathetic to the apparent subject matter - the lyrics really don't seem to be telling me anything. But, the sound and the mood of the piece is excellent.

<b>Yardboy</b>
This is Rik? I definitly like this more than your previous entries - I much prefer the stripped back approach. Pretty good song - probably a bit too long and samey to really keep my interest all the way through though.


THC, SWS and Pringle Can were enjoyable
Jim Tyrrell, Melvin were voteworthy
But my vote will go to The King
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Caravan Ray
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Post by Caravan Ray »

TheHipCola wrote:H, that's cool man. I always like your ambient-ish interludes...and putting them in that light makes sense...like a nice lemon sorbet before another course shows up. Looking forward to the more fleshed out Comfort tunes for sure....

thought...someone in a review about my track this week mentioned that the use of common phrases, or cliches was detrimental or detracted from the quality of the tune.

I was thinking about this and wondered what other people thought...(not about me specifically, but the practice of using cliches)...I know the lines I did that with, and really tried to figure out if it was lazy or intentional.... my problem with lyric writing is I'm never confident I get my point across. So I use common phrases or cliches to help ensure that at least the "common" meaning is derived and helps shape the intent of the song...

[big breath...]..so is that a bad technique in lyric writing? All you good lyricists out there...how do you view it? I think on one hand it makes sense to strive for that common understanding, but as I try to better my lyricizing, wonder if I should stay away from those "crutches".???

(maybe this a bad spot to put such a question..moderators, feel free to move this somewhere appropriate...)

Thanks!
I think in your case this week, the cliches obscured your meaning. My problem with you lyrics was that I really didn't understand what you were trying to say
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Denyer
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Post by Denyer »

Caravan Ray wrote:Then on telly the other night I saw Angry Anderson of the 'Rosy Tatts' on some bloody lifestyle show having his rose tattoo removed. It made me sad.
He was getting it removed so he could get it re-done.
Niveous wrote:It's a song about your dick and there's just not enough material to satisfy.
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thehipcola
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Post by thehipcola »

CR: yah... I found one of the larger problems (that I couldn't seem to fix) with my lyrics was the way they jumped around perspective-wise. HA! You know in my head they make perfect sense, but it's because they're snippets of the larger story I was working....obviously that's the challenge..how to convey the whole picture in a short time to people who don't have the whole story.

That's what I love about SF...the honing part.

Thanks!
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Caravan Ray
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Post by Caravan Ray »

Denyer wrote:
Caravan Ray wrote:Then on telly the other night I saw Angry Anderson of the 'Rosy Tatts' on some bloody lifestyle show having his rose tattoo removed. It made me sad.
He was getting it removed so he could get it re-done.
Whew! The world hasn't gone totally insane after all. I couldn't bring myself to actually watch the show - I just saw the ad.

What I would like surgically removed though are my memories of Angry Anderson singing "Suddenly" at Jason and Kylie's wedding on 'Neighbours'. That was truly the extreme low point in Australian rock history.
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reviews...

Post by nyjm »

Bearded Clam Duo
--- aka Waste of Bandwidth ---

Ben Foxworthy [possible vote]
+++ great bass-work +++
++ crisp guitar tone ++
--- lean arrangement ---
/// the vocal backing in the last chorus is good; something like this should have come in earlier ///

Bjam
/// nice vocal tone (like always), but you need a crisper delivery ///
+++ guitar tone +++
--- another spare arrangement ---
+++ great metaphor +++

Caravan Ray
+++ great fun; I can smell the spilled beer and stale cigarette smoke in the pub +++
+++ unique take on the title +++
--- some vocal clipping ---
+++ “cruise missile…â€
"You sound like the ghost of David Bowie." - SchlimminyCricket | it was a pleasure to burn | my website | Juliet's Happy Dagger
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adjuster
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Hellaciously late, don't care...

Post by adjuster »

Busy as hell week... dammit. I'm angry w/ myself that I had this one ready to go but didn't email it to the fightmaster until after the deadline. Oh, well... I "performed" it in Boston sorta, but that recording is (a) bad, and (b) the "performance" sucked, so here it is "not live". Yes-- it's another "The Landfills" song...

The Landfills - I Know My Rights
"A person who is born with extraordinary natural talents, or who is extremely lucky, deserves nothing on the basis of these characteristics." - Edwin C. Hettinger
--
The Attitude Adjuster, Arugably the remaining half of "The Landfills"
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Rik
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Post by Rik »

Caravan Ray wrote:This is Rik?
Glad to hear I finally wrote something that didn't make you cringe. :)
This week's entry is shaping up to be pretty different for me as well. Pretty heavy for me really. I'm sure by the end I'll over produce it and ruin it, poodle it as j$ might say. By Wednesday I may have invented a new genre, wimp-core.
You can listen, but you're not going to like it.
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Post by Egg »

Rik wrote:wimp-core.
:cry: !
glug glug glug egg makes wine. You can make wine too.
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Post by Rik »

WTF! :x This is way too big a fight to have this few reviews. Thanks to all those who reviewed this week especially those new here and those not in this fight, your time and comments are appreciated. To the rest, get it in gear.
You can listen, but you're not going to like it.
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Post by thehipcola »

i haven't missed reviewing a fight i'm in yet. they're coming...
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Post by h »

i'm enjoying ben foxworthy's casual voice a lot... the guitar is good , the bass even better, but both somehow predictable... but i like the delivery of the voice a lot
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Post by HeuristicsInc »

favorites:
swstat - i often don't like this kind of music, but this i do like. tempering the yelly vox with sung vox was a good move, methinks.
jimt - enjoyable! standard blues, yeah? but still fun.
hipcola - i like this a lot. this may be my favorite. great guitar bit, vox excellent, good chorus.
hoblit - nice. great vox.
roymond - cool. it's almost lunchtime.
obscrutiny. er, obscurity - like it. too much repetition of the title phrase, though.
caravan - great. reminds me vaguely of the ramones and ac/dc. good vox. i especially like the guitars too.
landfills - oops, missed this one. funky vox effect! love the cheesy bass. think the vox are a little too loud for the music here. i keep having to adjust my volume for at-work listening. i should do some work, speaking of which... oh yeah, great solo.

runners-up:
comfort - this is a nice interlude. i think it should be the intro segment to another song, though. something with smooth electric guitars and mellow singing.
king arthur - pretty cool. the one lead instrument sounds fakey and also sounds like it shouldn't be.
melvin - the name conjures up ideas of multiple melvins, but this isn't the same thing. sounds good but not real stand-out-ish.
pumkin - not so fond of the vocals here, except for the chorus. the guitar should be more present.
ben foxworthy - i think this should be recorded with a bit more excitement and energy, but otherwise a decent song.
exotic - it's ok, but it didn't impress upon me.
yardboy - sounds exactly like your name implies it should. specifically, like bare naked ladies. watch the poof in the microphone.
bjam - i like it. but i'm not taken with it. sorry. good vox tho!
pringle can - the production is hurting this, but i enjoy the song. everything seems clippy. why does it end abruptly?

not so exciting:
bread... er beard - hmm, not much to this one. also, you stole a riff from led zeppelin.

As I expected, The Hip Cola gets my vote. I love yer song.
-bill

edit: added landfills review.
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