asperse
I like this. It's got some mix issues, such as it lacking a bit too much high end, making it all sound a bit muffled, but it's keeping me interested regardless. 3:45 - The drums are way too loud. They're a bit too loud the whole way through, you didn't need to make them louder. Cut off ending is kind of off-putting.
Basket of Hands
AUGH. I like noise, but get some control over this. Use a distortion plugin, don't just turn the volume up. U rappin': bad. Tremolo on the choir was nice, though a bit "wah-wah"-esque. Again, the flow needs work. I just don't feel what you're saying. I don't mind the dissing, it has a long tradition in rap. Work on your mike handling, and get/make a pop filter. All in all, this song gets marked as having multiple personality disorder.
Destruction Enterprise
Is this supposed to be rap? I can't tell. No, really. If it is, then you need to get beat under this, and then you need to rap to tempo. But right now, it just has a kind of "William Shatner spoken word" quality to it.
@eclectic spOOns
Vocals are very quiet, and weirdly out of sync. Actually, the pacing as a whole is quite odd. Almost as if some instruments have gotten to the next part of the song before others make it there. I don't really like this. Sorry.
Hostess Mostess
Payback time! Heh, no, this is totally awesome. I need to learn to do the multiple vocal stuff as well as you do (Brand New Car <3). Right now, I'm afraid to even try it. I absolutely love this. Great job.
Jeff Travis Henderson
Recorders! But wait, where did they go? Now it's just kind of generic sounding. Not at all bad, but there's nothing to distinguish it as unique in any way. (edit: That sounds kind of harsh, but I'm liking this more and more every time I listen to it. So, hooray!)
Jim Fallope and His Fallopian Dudes
I'll get back to this when I have the new file.
Alright, it's working now. That's a crazy effect on the voice. Chorus? This whole thing is crazy in many ways. I dig the sound, but there's not quite enough variation to keep me into it. I look forward to hearing more!
Jordan Severs
I hear an electric hum at the beginning. You may want to check your cables. This is kind of fun! I think the break should be even more sparse. No drums, no bass, just the guitar and claps. Right now, it's a little too similar to the rest of the song. Still nice, though!
Ken Woodward
I didn't realize there was any playing right away. This may have been mentioned before, but Normalize is your friend. Since it's just G'n'G, the lyrics would really be what sell it, and these aren't doing much for me.
Level Nivelo
More G'n'G? Alright... These lyrics are disturbingly expicit! Not that that's bad, but it's very disjointed with the sweet music. And I like it!
Melvin
The first word that came into my head was 'overproduced.' I think some of the guitars might be overcompressed? I'm not sure what it is that makes me think so, but it just sounds somehow... plastic? Clean? It's a well done song, regardless. I still like it!
Radio North
Vocals are being absolutely swallowed by the guitar. The vocal delivery sounds kind of kitschy, but since I can't make out what you're saying, it's more annoying than entertaining.
Retun of the Dankity Dank
Odd instrumentation at the beginning. But I like odd instrumentations, so we'll see if this works. The bass is too loud! Not bad, but you need to work at getting a sense of cohesiveness between your instruments. Right now, they all sound very seperate. They don't sound like they [/i]belong[/i] together. Also, words of some sort would be nice.
Thornberry
Great intro. Voice is well performed, but a touch too quiet. I'm kind of disappointed when the drums come it. I was really liking how spare it was. The countermelody is good, but the backing singers seem tossed in. The rest of the song is nice, but all I can think of is how much I miss the empty feeling of the beginning.
Those Meddling Kids
Love the beginning. Why is it I can never get vocoders to work? I love the way they sound, and want to use them! (edit: on further listening, that's just phasing, isn't it? But I'm hearing some chords, so I assume vocoding is involved somehow?) I like everything but the vocal delivery at 1:51. It's a little far back in the throat, and not quite hitting all the notes. I love the little glitchy blips, whatever they are. Well done!
Tim Hinkle
Lead vocals should always be centered. And I hate hard panning in general, so you've sort of hit a peeve of mine head on. The song is okay, but nothing is really grabbing my attention. I almost skipped to the next song, but then I would have missed the kazoo solo! Some redemption for that.
Truth and Regret
Sounding kinda trancy. Your synths need work, they all sound a bit thin. Distortion, chorus, reverbs, etc., can all help with that. Effect them up! Otherwise, I'm digging it! I actually really like where it winds up. Good stuff.
Wreckdom
I'm getting some kind of odd phasing issues with this. Is that intentional? What can be said about this? It is exactly Wreckdom. And like all things Wreckdom, I have no clue if that's good or not.
The Zero Effect with Maya
There's something wrong with the high pingy guitar notes. Aha, the solo informs me that it's out of tune. Or poorly played. This has the potential to be awesome in a lo-fi kind of White Stripes way, but I never feel like you really got into it. Throw yourselves headfirst into the music, and see what happens!
Stuff about my song going into new post...
