Yeah, I had tried that, by adding an "a" but it didn't seem to work right, so I removed it. However, it did work for the word "Rock." But yeah, thanks. This is the first time I've messed with text to speech stuff, and really only like the third or fourth electronic song I've ever done, so I'm still figuring out Reason and how to do things. And perhaps obviously I need work on my mastering skills.HeuristicsInc wrote:if you're doing tts and the words don't come out right, feel free to change a few letters, add syllables or whatever, and you can make the program pronounce them better. e.g. an old song i put "clee shays" into the thing and it sounded way better than the correct spelling.
spoons: use the "quote" button.
-bill
It's an s_ hit! (S_ Rock reviews)
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a bebop a rebop
- Attlee
- Posts: 311
- Joined: Sun Dec 11, 2005 7:55 pm
- Location: alabama alabama alabama
- Contact:
eclectic spoons - This wouldn't be so bad if not for the fact that your vocals keep falling off the rhythm train.
Fourth Grade Gladiators - I find it really awkward that you elements of a poppy dancy sort of song (drums and bass) and they're completely covered up by scary things. Goddammit, I have the flu, you fucker, don't do this shit to my ears. I'm sorry, I have to skip, and I have to throw up. These things may or may not be related to your song.
King Arthur - This sounds like the shell of a song. It's painfully skinny, your voice is just overpowering everything. Also, something about it is making me dizzy. Like the volume keeps jumping up and down... is this what is referred to when people say the compression on a song is "pumping"? I don't know. I like your voice though.
Luke Henley - Rhythmically this song feels a little stumble-drunk in places... really it feels stumble-drunk in most ways. Love that chord progression, and great vocal melody. Yeah, that cut-and-paste is a bit harsh, but I love the ending. Really nice.
Melvin - Jesus Christ, you are good at what you do. Your lyrics ("asshat", "deeply smelled me"?) don't quite match up to the measured perfection of everything else in the song.
MCMMPD - Rawkin', eh? This is pretty funny, although that loop feels kinda awkward. Like what you're doing lyrically.
Wes - My ass is so sweaty? This is pretty cool, and painfully oversexed. Cool little sax-y synth loop.
Wreckdom - You guys are SILLY. Nothing wrong with that, it's just that this song is kinda boring. It'd be nice to see you guys do more serious-type stuff more often, like last week's (awesome) song.
Voting for Luke. GOOD JOB GUYS.
Fourth Grade Gladiators - I find it really awkward that you elements of a poppy dancy sort of song (drums and bass) and they're completely covered up by scary things. Goddammit, I have the flu, you fucker, don't do this shit to my ears. I'm sorry, I have to skip, and I have to throw up. These things may or may not be related to your song.
King Arthur - This sounds like the shell of a song. It's painfully skinny, your voice is just overpowering everything. Also, something about it is making me dizzy. Like the volume keeps jumping up and down... is this what is referred to when people say the compression on a song is "pumping"? I don't know. I like your voice though.
Luke Henley - Rhythmically this song feels a little stumble-drunk in places... really it feels stumble-drunk in most ways. Love that chord progression, and great vocal melody. Yeah, that cut-and-paste is a bit harsh, but I love the ending. Really nice.
Melvin - Jesus Christ, you are good at what you do. Your lyrics ("asshat", "deeply smelled me"?) don't quite match up to the measured perfection of everything else in the song.
MCMMPD - Rawkin', eh? This is pretty funny, although that loop feels kinda awkward. Like what you're doing lyrically.
Wes - My ass is so sweaty? This is pretty cool, and painfully oversexed. Cool little sax-y synth loop.
Wreckdom - You guys are SILLY. Nothing wrong with that, it's just that this song is kinda boring. It'd be nice to see you guys do more serious-type stuff more often, like last week's (awesome) song.
Voting for Luke. GOOD JOB GUYS.
Just got some DSL, so here are some reviews.
eclecticsp00ns
This is weirdly good. A little repetitive. I don't know what else to say...
Fourth Grade Gladiators
Reminds me a bit of Shaye St. John(which I was just watching.) Slightly Beck-ish vocs. Just as weird as the eclectic spoons one. I like the female vocs. I like this. If you don't know what Shaye St. John is, you should <a href="http://www.shayesaintjohn.com/Movies1B.html">check it out.</a>
Other than the song going on for a little too long, it's entertaining in a frightening way.
King Arthur
Ah, my ears...that's better. Some nice Eric Clapton style vocals. At least, Eric Clapton on the Me and Mr. Johnson CD. If you haven't heard that stuff, check it out. The mastering could use a little more....punch. The distorted backup guitar should be a little louder. And obviously you need some real drums. This is good, though. Great song structure. Right now, I'm considering this for my vote.
Luke Henley
Nice guitar pickin'. I also enjoy the backup vocals. It sounds like you were recording the guitar and vocals at the same time. If that's the case, you should do them separately. The backup vocs sound better than the lead. Making me think of Marcy Playground, for some reason. Damn, this is pretty good. Certainly a contender. I especially enjoy the layering of more and more "oh's" each time. You should've put some percussion in around the 2 minute mark when the song picks up pace. Even some banging on your guitar with your knuckles would've been cool.
Melvin
Alright, I definitely see the Weezer connection people keep talking about. Luckily, I'm a fan of them, so this is very enjoyable. You pulled if off really well. Heh, we keep starting out wanting to do a Weezer song, and going off on crazy tangents, and never actually achieve that sound. But yeah, this is very good. Only thing I'd recommend is maybe bringing the vocs a little more to the front.
MightyMouse PuddingDelicious
This makes me think of some Five Iron Frenzy songs. Specifically one on I think either their newest album or the one just before it. I think it's the second to newest. Whichever one has a yellow disc. It's kind of amusing, but the production hurts it a lot. The background music sounds REALLY compressed, and I think it really hurts the song. Also the vocals aren't so hot. But it sounds like something that you could do really awesome live. I really like the concept. I liked the end.
S____ Wes
My song. Take it at face value.
Wreckdom
Definitely awesome. Oh god, AC/DC vocs. WONDERFUL. This is quite enjoyable.
This is a tough fight to call. I will dwell on it.
eclecticsp00ns
This is weirdly good. A little repetitive. I don't know what else to say...
Fourth Grade Gladiators
Reminds me a bit of Shaye St. John(which I was just watching.) Slightly Beck-ish vocs. Just as weird as the eclectic spoons one. I like the female vocs. I like this. If you don't know what Shaye St. John is, you should <a href="http://www.shayesaintjohn.com/Movies1B.html">check it out.</a>
Other than the song going on for a little too long, it's entertaining in a frightening way.
King Arthur
Ah, my ears...that's better. Some nice Eric Clapton style vocals. At least, Eric Clapton on the Me and Mr. Johnson CD. If you haven't heard that stuff, check it out. The mastering could use a little more....punch. The distorted backup guitar should be a little louder. And obviously you need some real drums. This is good, though. Great song structure. Right now, I'm considering this for my vote.
Luke Henley
Nice guitar pickin'. I also enjoy the backup vocals. It sounds like you were recording the guitar and vocals at the same time. If that's the case, you should do them separately. The backup vocs sound better than the lead. Making me think of Marcy Playground, for some reason. Damn, this is pretty good. Certainly a contender. I especially enjoy the layering of more and more "oh's" each time. You should've put some percussion in around the 2 minute mark when the song picks up pace. Even some banging on your guitar with your knuckles would've been cool.
Melvin
Alright, I definitely see the Weezer connection people keep talking about. Luckily, I'm a fan of them, so this is very enjoyable. You pulled if off really well. Heh, we keep starting out wanting to do a Weezer song, and going off on crazy tangents, and never actually achieve that sound. But yeah, this is very good. Only thing I'd recommend is maybe bringing the vocs a little more to the front.
MightyMouse PuddingDelicious
This makes me think of some Five Iron Frenzy songs. Specifically one on I think either their newest album or the one just before it. I think it's the second to newest. Whichever one has a yellow disc. It's kind of amusing, but the production hurts it a lot. The background music sounds REALLY compressed, and I think it really hurts the song. Also the vocals aren't so hot. But it sounds like something that you could do really awesome live. I really like the concept. I liked the end.
S____ Wes
My song. Take it at face value.
Wreckdom
Definitely awesome. Oh god, AC/DC vocs. WONDERFUL. This is quite enjoyable.
This is a tough fight to call. I will dwell on it.
Eclectic Spoons: Vocals are pretty far off time, but the backing track isn’t half bad, in a futuristic honky-tonk kind of way. Unfortunately, timing issues kind of end up killing the song.
Fourth Grade Gladiators: Wow, this hurts my ears without any pay back.
King Arthur: This starts off sounding like the theme song to a 70’s cop show. The vibe changes once the vocals kick in. Now it sounds more like the work of a “matureâ€
Fourth Grade Gladiators: Wow, this hurts my ears without any pay back.
King Arthur: This starts off sounding like the theme song to a 70’s cop show. The vibe changes once the vocals kick in. Now it sounds more like the work of a “matureâ€
hi!
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furrypedro
- Niemöller
- Posts: 1298
- Joined: Mon Nov 07, 2005 12:06 pm
- Instruments: Guitar, programming
- Recording Method: Cubase, Reason
- Submitting as: Balance Lost
- Location: Kyoto
- Contact:
just gonna try and rush through some reviews here
the spoons: I actually quite liked that keyboard riff from the start, the first few chord changes were cool. the rest suffers from classic spoons syndrome (ie, it's a bit silly).
4th grade gladiators: cool in a way cos it's got a totally different vibe from your last track. lots of this is pretty unlistenable (and I'm all for feedback and fuzzy swirls most of the time). Weird stuff though, reminds me of MBV crossed with Beat happenning or something.
King Arthur: this'll be the 1st time I review a KA song, you are one of those people who I read more about than actually hear. From this I can understand why you've got a following. This is fun and pretty well executed. Sounds like some dodgy tape compression on the track though, all the bits keep fluctuating in volume. Not my thing, but it's still groovy and with some mix love it's solid. nice
Luke: Sounds like one of your more accessible ones. I'm really enjoying the chords and the aahs. Best take on the title this week, but that's just cos I like stupid long titles (unless it's Red sparowes). I skipped it but only cos I wanna get through these and I know I'm gonna d/l it.
Melv: Ok, so Luke played it safe, will Melvin? need I ask? Your ability to churn out songs of this calibre is quite impressive, and I don't mean the whole arrangement which (as you know) is pretty formulaic, rather the fact that every song has excellent lyrics and melodies which tend not to sound rehashed. Your backing vox are the best. This song is not your best but hey.
Mighty Mouse and Pudding Delicious: This makes some strange listening. It's really incoherent, The drums are lo-fi (which is fine) but too quiet, and all over the place. The vox sound so much clearer than the guitars that it makes them sound really detached. Good lyrics, this is fun in places but I don't wanna listen again.
s Wes: my attention was immediately grabbed by the samples, which although amusing, put me off as my brain automatically thought "novelty track". The track here is pretty cool though, solid beats, interesting things going on with the synths and you switch it up a bit. Thanks for reminding me at the end that your arse is sweaty too. all round pretty good.
Wreckdom: nice chicken noises
I want Mr Henley to touch me in my special place
the spoons: I actually quite liked that keyboard riff from the start, the first few chord changes were cool. the rest suffers from classic spoons syndrome (ie, it's a bit silly).
4th grade gladiators: cool in a way cos it's got a totally different vibe from your last track. lots of this is pretty unlistenable (and I'm all for feedback and fuzzy swirls most of the time). Weird stuff though, reminds me of MBV crossed with Beat happenning or something.
King Arthur: this'll be the 1st time I review a KA song, you are one of those people who I read more about than actually hear. From this I can understand why you've got a following. This is fun and pretty well executed. Sounds like some dodgy tape compression on the track though, all the bits keep fluctuating in volume. Not my thing, but it's still groovy and with some mix love it's solid. nice
Luke: Sounds like one of your more accessible ones. I'm really enjoying the chords and the aahs. Best take on the title this week, but that's just cos I like stupid long titles (unless it's Red sparowes). I skipped it but only cos I wanna get through these and I know I'm gonna d/l it.
Melv: Ok, so Luke played it safe, will Melvin? need I ask? Your ability to churn out songs of this calibre is quite impressive, and I don't mean the whole arrangement which (as you know) is pretty formulaic, rather the fact that every song has excellent lyrics and melodies which tend not to sound rehashed. Your backing vox are the best. This song is not your best but hey.
Mighty Mouse and Pudding Delicious: This makes some strange listening. It's really incoherent, The drums are lo-fi (which is fine) but too quiet, and all over the place. The vox sound so much clearer than the guitars that it makes them sound really detached. Good lyrics, this is fun in places but I don't wanna listen again.
s Wes: my attention was immediately grabbed by the samples, which although amusing, put me off as my brain automatically thought "novelty track". The track here is pretty cool though, solid beats, interesting things going on with the synths and you switch it up a bit. Thanks for reminding me at the end that your arse is sweaty too. all round pretty good.
Wreckdom: nice chicken noises
I want Mr Henley to touch me in my special place
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HeuristicsInc
- Ibárruri
- Posts: 5350
- Joined: Sat Sep 25, 2004 6:14 pm
- Instruments: Synths
- Recording Method: Windows computer, Acid, Synths etc.
- Submitting as: Heuristics Inc. (duh) + collabs
- Pronouns: he/him
- Location: Maryland USA
- Contact:
favorites: melvin, luke, kart
pretty good: frosty, s_wes
this is the best luke henley song ever...
frosty's is funny.
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i voted for melvin, but it coulda been luke too. funny thing, that.
-bill
pretty good: frosty, s_wes
this is the best luke henley song ever...
frosty's is funny.
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i voted for melvin, but it coulda been luke too. funny thing, that.
-bill
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a bebop a rebop
- Attlee
- Posts: 311
- Joined: Sun Dec 11, 2005 7:55 pm
- Location: alabama alabama alabama
- Contact:
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WeaselSlayer
- Niemöller
- Posts: 1592
- Joined: Tue Dec 14, 2004 5:13 pm
- Instruments: Guitar, keyboard
- Recording Method: Garageband, laptop mic
- Submitting as: Luke Henley
- Location: Tucson, AZ
- Contact:
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furrypedro
- Niemöller
- Posts: 1298
- Joined: Mon Nov 07, 2005 12:06 pm
- Instruments: Guitar, programming
- Recording Method: Cubase, Reason
- Submitting as: Balance Lost
- Location: Kyoto
- Contact:
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stueym
- Attlee
- Posts: 466
- Joined: Wed Nov 17, 2004 2:36 pm
- Instruments: Guitar
- Recording Method: Cubase/Stenberg CI2+/Roland VG-99/RolandGR-55
- Submitting as: stueym
- Location: Lebanon, TN
- Contact:
Congratulations Luke....now Bjam will have to change the posters for Songfight Wayne to reflect your newfound superstar status LOLWeaselSlayer wrote:Fuck. There goes my street cred.
Melvin always a pleasure and well done.
"You know, I rather like this God fellow. Very theatrical, you know. Pestilence here, a plague there. Omnipotence ... gotta get me some of that."
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WeaselSlayer
- Niemöller
- Posts: 1592
- Joined: Tue Dec 14, 2004 5:13 pm
- Instruments: Guitar, keyboard
- Recording Method: Garageband, laptop mic
- Submitting as: Luke Henley
- Location: Tucson, AZ
- Contact:
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rone rivendale
- Odie
- Posts: 1761
- Joined: Sun Oct 02, 2005 9:51 pm
- Instruments: Electronica, nothing real
- Recording Method: Fruity Loops, Goldwave
- Submitting as: Rone Rivendale
- Pronouns: he/him
- Location: Kansas, USA
- Contact:
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The Anchors
- de Gaulle
- Posts: 129
- Joined: Fri Jan 20, 2006 10:14 pm
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Geoff WreckdoM
- Goldman
- Posts: 543
- Joined: Sat Sep 25, 2004 12:13 pm
- Instruments: Theremin
- Recording Method: Pabst Blue Ribbon
- Location: Awestin, TX
- Contact:
Not at all sir, I thank you for your vote. 11 is a good deal of votes and I was happy for the turnout, but even just one vote is still awesome as that's one person I know we reached and dug it, and that means a lot to me. Thanks!!!The Anchors wrote:Damn, sorry my vote didn't help you out Wreckdom.
"perhaps the most offensive and disturbing image I've ever heard in a song" - Hans Gruber