orchestra patches
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- Attlee
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orchestra patches
What orchestral (strings/woodwind/brass) patches do you folks use? I'd prefer freeware but if there's nothing decent to be had, I'll look elsewhere.
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- Attlee
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- Orwell
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I am a heavy user of soundfonts.
This has some pretty good solo instrument patches and decent ensemble patches.
I think that the solo strings are the best ones in here. The brass patches are only so-so.
http://www.users.waitrose.com/~floating ... nfonia.htm
Steve
This has some pretty good solo instrument patches and decent ensemble patches.
I think that the solo strings are the best ones in here. The brass patches are only so-so.
http://www.users.waitrose.com/~floating ... nfonia.htm
Steve
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"Seems to me this is the point of Songfight" - Max The Cat
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- Attlee
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- Freddielove
- de Gaulle
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Eastwest comes highly recommended though its not free.
http://www.soundsonline.com/sophtml/det ... sku=EW-150
http://www.soundsonline.com/sophtml/det ... sku=EW-150
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- Furrypedro
- Furrypedro
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- Niemöller
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Well, the true "baller" will use a Fantom X board, like Nelly et al.
The average gangsta on the street, however, will have a Triton LE61 set up next to their Numark turntables, going in through their SB16 soundcard into Acid. With that setup, you can call yourself a producer. Make sure you call yourself a producer often, though. You wouldn't want anyone to think you weren't a producer, considering how phat your factory beats can be at 16bit mono.
But seriously, the Triton is a good board for orchestral sounds and hiphop/electronica. You can probably find the LE61 on craigslist or ebay for close to $500.
There's also the Triton Extreme, which is expensive as hell, and the Triton TR, which is a sack of shit.
My next board is a Nord, one of the little red ones for small gigs where I don't want to haul my ridiculous Motif around. I will upholster it with leopard print as soon as I get it.
The average gangsta on the street, however, will have a Triton LE61 set up next to their Numark turntables, going in through their SB16 soundcard into Acid. With that setup, you can call yourself a producer. Make sure you call yourself a producer often, though. You wouldn't want anyone to think you weren't a producer, considering how phat your factory beats can be at 16bit mono.
But seriously, the Triton is a good board for orchestral sounds and hiphop/electronica. You can probably find the LE61 on craigslist or ebay for close to $500.
There's also the Triton Extreme, which is expensive as hell, and the Triton TR, which is a sack of shit.
My next board is a Nord, one of the little red ones for small gigs where I don't want to haul my ridiculous Motif around. I will upholster it with leopard print as soon as I get it.